G. L. Pease
It’s an absolutely gorgeous morning. Spring is sprouting all round, with wildflowers of all sizes and colours punctuating the green and gold of the open field across the street, and the weeds in the back yard have effortlessly achieved dog-camouflaging heights. The air is clean and fresh from recent rains, the delicate blue of the sky is veiled with a few soft, wispy clouds, and I’ve just enjoyed an absolutely, and somewhat unexpectedly brilliant smoke from a pipe with which I’ve had a very rocky relationship for a couple of years.
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Ethan Brandt
How to describe the Chicago Pipe Show? A lot of different words come to mind: pipes, of course, but great times with friends, some that you never even knew before you arrived, wonderful conversation, and one of the best experiences I’ve ever had. I was warned by Brad Pohlmann before I even attended the show that it would be Sunday night before I knew it. He was right, but after looking forward to the show for months, I enjoyed every moment of it and formed some memories that I know will last a lifetime, not to mention acquiring some really gorgeous "memorabilia".
Chris P. Bacon
In the fall of 2005, a post on the Pipe and Tobacco Collector’s Blog sounded an alarm about the “demise of the pipe show” which, in the context of a somewhat standard gripe session about the state of pipe shows as a whole, made a provocative and impressive claim that predicted a coming storm accurately. The post stated that pipe shows, in overemphasizing the retail aspect of their gatherings, had become mere marketplaces, and this transformation dissolved the important yet somewhat intangible communal aspect upon which, at least anecdotally, the entire pipe community was based. Aside from striking gold in the mid-2000’s with a substantial lucrative boom in high-end pipe sales brought about by an influx of artisan carvers earlier in the decade, the pipe shows had nothing to show for decades of development and were in danger of becoming unexciting flea-markets, its visitors disengaged from the fact that, beyond the buying and selling, there was something missing, something important and communal and real.
Adam J. Smith
Liner Notes: A product of the House of Samuel Gawith & Co. Ltd - Kendal, Cumbria, England. From the Website: The first of a collection dedicated to Samuel Gawith the First, Chocolate Flake is a luxury blend of Virginias, Burley and long-leaf Latakias. To complete the luxury a rich, dark chocolate has been added after cutting. Excellent smoking qualities with a good smoke and a delicious room note. Medium strength.
Normally when I set out to review a tobacco, I choose a blend that is new to me. The reason for this is two-fold. First and foremost, I like to approach the blend with no pre-conceived notions or ideas…or, at least as few as possible. The other reason is that I take a clinical, almost sterile approach to reviewing tobaccos; something that doesn’t lend itself readily to the peaceful bliss I seek when smoking an "old friend" as it were. That said, blends that I review often do end up finding a home either in my active rotation or in my cellar - however there are a few blends that I smoke regularly that I keep for just that - smoking.