Do I respect his talent at the art? Yes! Would I have any desire to own it or smoke it? No. But to me who is happy with a MM Cob, a Carey Magic Inch, or a 100 year old Cutty Meer, to each his(or her) own...So no, I don't get it.
You illustrate my point perfectly. What about a painting makes it worth 20 million dollars when millions of other artists are producing work of no lesser quality?If artists themselves are no more than puppets what does that make the billions of appreciators. The vast majority of master painters have long been dead, something tells me their corpses care little what their works sell for. 99.9% of those who enjoy paintings will never own an original by anyone of note. When and if a painter finally succeeds in selling canvases for a livable wage he or she has usually invested their whole life to that point. The artists I know live job to job, giving their all with little hope of recognition in a world more than willing to underpay and not credit them.
"Keeping up with the Joneses" is ludicrous behaviour for sure, but I'm not so sure what to think of the suggestion that a certain segment of the population is immune to it.No one need like the pipe or even Werner's work but to claim his fame and earned price point is due to rich people wishing to imitate one another is asinine.
Paul IngramIn the last decade of the twentieth century, Marcel Duchamp’s Fountain [1917] was the subject of a series of interventions by artists who each attempted, more or less successfully, to urinate in it: Brian Eno at the Museum of Modern Art in New York in 1990; Kendell Geers at the Palazzo Grassi in Venice in 1993; Pierre Pinocelli at the Carré d’Art in Nîmes in 1993; Björn Kjelltoft at the Moderna Museet in Stockholm in 1999; and Cai Yuan and Jian Jun Xi at the Tate Modern in London in 2000. Their iconoclasm was actually directed against authorized replicas of the original sculpture, which had disappeared shortly after being refused exhibition space by the American Society of Independent Artists in 1917.