I was surprised by that Salty/Sweet taste in Sextant and thought thats just my mind playing tricks on me but then found it again in QN. Where does that come from? Also, are the woodsy notes from the Turkish/Oriental?
Although I can sense Latakia aplenty in QN it has been somehow subdued. Is this due to certain leaf selection or is the mix somehow restraining its sharpness?
In your mind, what is the Perique adding to this mix? How was QN as it evolved if there was a stage where it didn't have Perique?
I figured I'd start with these interesting questions, the first of which I have no real answer for...
That sweet/salty thing, the sort of yin/yang of the tao of mixtures, is something I've never been able to find an explanation for. Some mixtures have it, and others don't, and it remains puzzling. There's nothing in tobacco that
should stimulate the salt receptors on the tongue, as far as I've been able to ascertain, and yet it clearly happens. More puzzling is that it doesn't happen in every case with every smoker. My guess, and it's just that, is that there's some sort of jiggery pokery going on with other flavors, or perhaps aromas, since they're so much more important to our overall perception of flavor, that triggers memories of saltiness. Another possibility is that the tendency for latakia to be drying to some people might result in a certain degree of dehydration in the mouth, which could cause the salt receptors to fire more readily from the sodium naturally present in saliva. But, that's all just a bunch of hand-waving. It might be interesting to correlate those who do experience the saltiness with those who also experience the drying effect of latakia-heavy mixtures. I should apply for a grant.
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As for the "softness" of the latakia in QN, which has about 1.25% more of the smoky stuff than Sextant has, it's the result, again, of both the constituent tobaccos in the blend and the processing. Like Sextant, QN spends a fortnight on the squeeze, allowing the tobaccos to ferment a little, while also distributing some of the oils and water soluble flavor components throughout the block, equilibrating them to some extent in the mix, while the stickier, more tenaciously bound compounds remain where they started. Then, when the tobacco is sliced and tinned, the more volatile components start flying around inside their little hermetic chamber, resulting in a different sort of equilibrium over time. The very same tobaccos blended as ribbons would yield a very different result. Which sort of leads to your next question...
QN is an evolution, in a sense, of Blackpoint, which is a ribbon cut mixture that's very similar in its formulation. When I did BP, we didn't have the ability to make real flakes, but I was always intrigued by the idea of what it would be like pressed and sliced. I played around with it, making various cakes from it, and felt it was something worth exploring when the ability to do real flakes came to the factory.
A diversion: Most people may already know this, but for those who don't, here's a little discussion about flakes vs. crumbles vs. ribbon cut.
When ribbon cut tobacco is pressed into a block, and that block is sliced, the rubbed out slices will produce small particles of tobacco due to the fact that most of the ribbons are not likely to find themselves parallel to the blade when the slices are cut. In order to make a real flake, strips of the lamina, that part of the leaf that is not the midrib, are laid out flat in layers to make up the blend, then pressed into blocks. When these slices are rubbed out, the strands will be as long as the piece of the leaf from which they were cut. In fact, this is exactly how ribbon cut tobacco is made, but the blocks of leaf are not subjected to as much pressure, nor are they held for any length of time. These "cheeses" are cut and tumbled until they fall apart into strands. The larger the leaf pieces, and the more carefully they are layered, the longer the ribbons can be. In days of olde, ribbons tended to be longer because leaf was de-stemmed largely by hand. Today, a process called threshing separates the lamina from the rib, but it tends to leave the lamina in smaller pieces which results in shorter ribbons.
Back to the subject...
With the ability to do real flakes in house, I revisited the old Blackpoint experiments, and Quiet Nights was the result. So, the question becomes what was the evolution of BP, and did it ever not have perique in it?
Blackpoint came about as a result of a day when I was visiting a friend, and he opened a very old cutter top tin of Balkan Sobranie 759. I will never forget the first whiff of that tobacco. I could swear I smelled perique in it, even though I knew, or was at least fairly certain it contained none. But, something happened to the tobaccos in that tin over 30 or 40 years that produced similar aromas. I went home that night and started working on it, hoping to capture some of that essential character, and perique was an important part of the equation.
The trick then was trying to mentally turn back the clock, to try to imagine what that blend might have been like when it was first blended. An impossible task, to say the least, but after years of exploring aged and aging tobaccos, I at least had a few clues, a few signposts that provide some direction. The final formula came about fairly quickly, and BP was born in March 2003. Seven years later, QN saw its first light. That said, the curious might enjoy trying the two side-by-side to see just how much influence the big squeeze has on a tobacco's character. And, yes, BP's latakia "presence" is a little sharper, a little more powerful than QN's, at least when the tins are young and fresh.
There's the backstory, and another one in the bargain. QN has been one of my personal faves from the day I tasted the final prototype, especially in the cooler months. For me, it's not a summer mixture, but one that's really at home on quiet, misty evenings when a contemplative smoke can be the perfect balm to tame the chill and soothe the spirit.