The Pipes Magazine Radio Show – Episode 2
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- The Pipes Magazine Radio Show – Episode 2
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Kevin Godbee
- Sep 27, 2012
- 0 min read
It’s a pleasure to bring you the 2nd episode of the Pipes Magazine Radio Show starring Brian Levine. This second show will have our first interview. We’ve already had requests for pipe maker interviews, so we decided to fulfill those requests by making the first interview with Canadian pipe maker Michael Parks. Brian also discusses the differences in factory pipes, artisan pipes, and high grades. Just what is the difference between an artisan pipe and a high grade? Listen to the show to find out.
In this episode, you’ll also find out how a Britney Spears song can be transformed into something that is actually cool and not too bad to listen to.
Finally, Brian ranks on Ikea, but also discovers a fun new place to smoke a pipe and be entertained.
We hope you enjoy our 45-minute show produced just for you—the pipe smoker and collector. The following link will launch a pop-up player (it works in Internet Explorer now). Alternatively, you can download the show in iTunes after the initial broadcast is complete here.
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Written by Kevin Godbee

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Welcome to The Pipes Magazine Radio Show Episode 541! We have a pipe personalities packed show tonight. We’ve been running two different series with two different prominent pipe collectors and authors. We have “Inside Fred’s Head” with Fred Hanna. He is the author of the book, “The Perfect Smoke”, and known for collecting straight grain pipes. The other series is a follow-up to Fred, “Rich Responds” with Rich Esserman. Rich has penned innumerous articles about pipes and tobacco for several publications, and he is known for collecting quite large pipes. We’ll be featuring the final remnants of those two series all in this show. As if that’s not enough, at the top of the show our segment will feature pipe artisan Jeff Gracik with another installment of “Ask the Pipemaker”. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
Via Press Release – JACKSON, MISSISSIPPI – January 18, 2023 – For the past ten years, Jon David Cole, owner and operator of The Country Squire Tobacconist, and Beau York, founder of the podcasting company PODASTERY, have been delighting pipe smokers worldwide with their weekly podcast Country Squire Radio. Long time listeners have enjoyed uninterrupted weekly content from the podcast including the celebrated pipe tobacco focused series such as TOBACCO TALK, PIPE CULTURE, SQUIRE SELECT whiskey and pipe tobacco pairings, and PIPE SMOKING 101 as well as the newer series geared to bring the spirit of conversations had over a bowl of premium pipe tobacco amongst good friends such as HALF BOWL HISTORY, FROM THE LIBRARY, and FATHER TO FATHER. As they approach the 500th episode this year, Cole and York have decided the time has come to bring the show to its conclusion with a live recording at The Country Squire in Jackson, Mississippi. “The amount of content for and by the Pipe Community is higher than ever before with newer pipe podcasts, instagramers, youtubers and more” Cole said. “We have enjoyed our tenure representing and at times shepherding a section of the community, but it’s time to increase the spotlight to this next generation of content creators.” Cole and York have often taken cues from their listening audience who, over the years, have made several trips to the famed Country Squire Tobacconist shop in Jackson, MS. This practice has been dubbed a PIPE PILGRIMAGE by fans of the show who have visited the shop that inspired many hours of listening pleasure. “We want to finish strong,” York said. “There is certainly no better way to do this than inviting all of our listeners, who are able to make the trip, to the Country Squire for the grand finale of the show in a Pipe Pilgrimage like no other!” York explained, “we’ll have music, share stories, and record the final episode of Country Squire Radio together, all while enjoying a one of a kind Pipe Tobacco and BBQ pairing of epic proportions.” The Country Squire Radio Finale will be held at the Country Squire, Tobacconist in Jackson, MS Saturday, March 4th. Tickets are on sale today at The Country Squire Tobacconist (thecountrysquireonline.com) For more information, visit CountrySquireRadio.com or listen to the latest podcast “Episode 490: The Time Has Come” from Country Squire Radio (Country Squire Radio on Apple Podcasts)
Welcome to The Pipes Magazine Radio Show Episode 540! Our featured interview tonight is with Pete Prevost. Pete is a pipe maker and the President of the BriarWorks pipe factory in Columbia Tennessee. BriarWorks is a a pipe maker co-op with several other pipe makers, including Todd Johnson, who co-founded it with Pete. Brian and Pete will be talking about that as well as the up-coming 2023 Muletown Pipe Show which is held at BriarWorks. In a past life, Pete was the guitar player in the band Sanctus Real. Our music segment will feature one of their Grammy-nominated songs. At the top of the show, Brian will give us his comparisons between three different vintages of Sutliff’s Kringle Flake tobacco from the last three years. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
Welcome to The Pipes Magazine Radio Show Episode 539! Our featured interview tonight is with Matthew McCranie. Matthew is the third generation from McCranie’s pipe and tobacco shop in Charlotte, NC. Matthew tells us of the founding of McCranie’s by his grandfather in 1979. There’s a fun Florida connection including inspiration from Edward’s Pipe & Tobacco in Tampa, and some streets named McCranie in Lakeland. We’ll also hear about McCranie’s long-running, highly popular tobaccos, and how things have evolved from the early days. At the top of the show, Brian will give us a recap of his pipe trading from the Chicago and Columbus pipe shows. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
It’s far from a closely-held secret that for years I’ve had a bit of a love affair with the old, Celebrated Bengal Slices. I fondly recall my first experience with it in the late 1970s when, on one of my almost daily visits to Drucquer & Sons, a fresh shipment had just arrived. There it was, in its beautiful gloss black, red and gold livery, dramatically standing out from its peers, calling attention to itself from its perch on the shelf behind the counter. “What’s that, in the black tin?” I asked Ken, who had become something of a tobacco mentor to me. “The Bengal Slices? It’s great stuff,” he said, pulling a tin from the shelf and handing it to me, explaining that it was a Latakia mixture with a difference. The ribbons were pressed in blocks and sliced, so it had to be broken up to prepare it for smoking. “You have to pack it lightly, or it’ll clog the pipe and become impossible to smoke when it expands. It’s got a little bit of scent added to it.” That last bit nearly put me off it; I was still recoiling from early experiences with heavily perfumed, goopy, pouched tobaccos that smelled better than they smoked. But curiosity, as it too often does, had its way with me, and I couldn’t resist the singular beauty of that tin. I bought it, dropped it into my satchel, and off I went. Later that day, I popped the lid and was instantly captivated. The perfect slices, standing at attention in a tight array, dark and mysterious, almost glistening with the same hues as the tin’s lid — black, red and golden. The aroma was rich and bold, ripe with Latakia, orientals and virginias. The scent Ken had mentioned, which I’d taken as a warning, wasn’t at all overbearing, but rather soft and seductive, beautifully integrated with the tobaccos’ natural aromas. It transformed what was basically a “typical” Latakia mixture into something that seemed more luxurious, even opulent. Though still fairly new to smoking flakes at the time, and certainly inexperienced, I had developed a bit of understanding of them. These were different, though — thicker, more robust looking. I gently removed one from the tin, placed it in my palm, and began teasing it apart. It took little encouragement for it to crumble into small fragments. As I filled my bowl, Ken’s counsel about packing forgotten (more likely arrogantly ignored), I looked forward to the first taste of my new treasure. Disaster! The charring light almost went okay, promising something good to come, but the tobacco soon went out, and stubbornly refused to light. Trying to get an ember going was the equivalent to a futile attempt to set fire to a brick of asbestos. Frustrated, I dumped the bowl, and started again, this time heeding Ken’s advice, allowing gravity to do the work. Much better. Even at first light, it was transcendent. The richness of the tobaccos, pressed and fermented in cakes, already set it apart from its ribbon-cut peers, but that scent! Soft and diaphanous, it didn’t clash with the flavor of the tobacco, but somehow enhanced it, bringing another layer, greater dimension to what was already something pretty special, and it remained throughout the bowl, never shouting, but whispering its presence. I was immediately smitten. The next time I was in the shop, I bought three more tins, something I would continue to do periodically through the years. At the time, I thought this was a truly unique tobacco, the only thing of its kind, but I would find out years later that it wasn’t the first, or the only, and that its story was both interesting and infused with dram of controversy. And, as it turns out, the fires of that controversy ultimately forged this tobacco into what became something so very, very special. The Celebrated Bengal Slices was originally made by Sobranie House exclusively for James B. Russell (JBR), and first found its way to market around September of 1977. But, as early as the mid- to late-1960s, Sobranie were making a similar product for Joe Zieve’s Smoker’s Haven in Columbus, OH. Joe wanted to bring something unique to the market, something that hadn’t been done before, so he had Sobranie, who were already making the Haven’s renown Our Best Blend for him, press the ribbons, age the blend in cakes, and cut the cakes into slices. This was different from the more traditional form of flake tobacco, made from whole leaf strips, and resulted in a product Joe called Krumble Kake. It was his intention that this tobacco be compact, like a plug, yet easier than a flake to prepare for smoking. It was a hit, becoming one of the shop’s most successful blends for decades to follow. The controversy finds us in the late 1970s, when JBR contracted Sobranie to make something similar for them. Apparently, it was a little too similar to Krumble Kake for Joe’s liking, and from what I’ve heard, his reaction was predictably cinematic, possibly going as far as threatening to discontinue his relationship with Sobranie over the apparent infraction, so JBR and Sobranie were forced to change the recipe. Whether or not the leaf formulation was changed is unknown, but the changes certainly resulted in that elusive scent joining the party. The Celebrated Bengal Slices was born. (Interestingly, JBR did not register the trademark until March, 1979, though the blend did appear in their catalogue in 1978.) When Sobranie shuttered in 1980, licensing the production of their blends to Gallaher’s, both Bengal Slices and Krumble Kake, being proprietary products, were not transitioned to the new manufacturer. Production of Krumble Kake and the other Smoker’s Haven blends moved to G.F. Germain on Jersey, while Bengal Slices was transferred to Manchester Tobacco Company, where it was produced until 1991, then making its final move to Denmark’s A&C Peterson. For whatever reason, the Danish product didn’t hold my affection like […]
Welcome to The Pipes Magazine Radio Show Episode 538! Our featured interview tonight is with Rich Esserman. This is our third episode with, “Rich Responds” where we go back to a previous discussion with Fred Hanna, and Rich gives his take. Both Rich and Fred are prominent pipe collectors, researchers and writers on pipes and tobacco for several decades. They are both well-known and well-respected in the pipe enthusiast community. We’ll see where Rich agrees with Fred, and where he has his own take on different aspects of pipes and tobacco. At the top of the show Brian will talk about how to build up your tobacco cellar and what to do in the meantime. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
If you can’t afford it, it’s a High Grade Pipe! Ha ha ha ha ha ha ha!!!!!!
Artisan or high grade,doesn’t matter I can’t afford either.
I like factory pipes – Dunhill, Stanwell, & Comoys.
My ranking scheme would be a bit different:
low end: basket pipes, lesser factory pipes
mid end: some mid-range factory pipes, lesser artisan pipe makers
high end: high end factory pipes and higher end artisans
Ultra High end: The creme-de-la-creme
I have or had pipes in all the categories. However, you can have a great smoking pipe in any of the categories and a real stinker in any of the categories. The probability of a great pipe goes up with the category and the probably of a stinker goes up as you go down in category. The great thing about pipes is that you never know how a pipe will turn out.
I love the show. The interview with Michael Parks was great. I commissioned his first hawkbill pipe from him many years ago and still have it in my collection.
Keep up the good work Brian.
John, I didn’t know you liked Hawkbill pipes!? 😉
Great job again, Brian, and Michael Parks is the very definition of “high grade.”
I thought it was a good show. It would be cool to hear from a meerschaum pipe maker but it might be hard as they are all in turkey. The cowboy ice cream commercial didn’t offend me. I am a firm believer in free speech and against censorship.
Thanks Kevin, Brian, and Michael Parks.
Entertaining! It was interesting to hear a pipemaker’s thoughts about the craft. I think I would enjoy hearing more of those sort of things. The ranking of pipes was an interesting subject as well, though that may be a subjective matter. I would have thought that the briar quality used would have some degree of influence on whether the pipe were a high grade or not. Maybe I slept through that part? No doubt about what makes an artisan grade pipe, however. Thanks for the show!
Great, innovative show, and nice music!
Waiting for the rest….
JW
Great Show! I was busy last night and it was good to catch the show this morning in the office. Boy that 45 minutes went quick! I wouldn’t be opposed to a Howard Stern-esque 4 hour format.
More pipe maker interviews for sure, That was very interesting.
Much better show than the first. The interview with Parks was really good. The rant on IKEA was amusing.
I think to the answer to the trivia question is Tsarina Catherine the Great, but in all likelihood it is an apocryphal answer.
Last nights show was OK but I think the 1st show was better, sorry that’s just my take on it. I for sure will keep tuning in you have a good thing going.
Love the first two shows. Keep ’em coming!
Subscribed. ‘Nuff said.
Simon
Great show and very entertaining. Thanks Brian and Kevin for providing us with some great content. No other pipe site on the net compares to this one for content, activity and just plain fun.
I like the program. Keep it up.
Cigar band: Queen Victoria. Great show, thanks!
I was definitely taken aback with the “number one rated…with the last name ‘Levine’.” I wondered: How the heck do you program the audio clip to call me by name. A couple seconds later, I found out that I’m not the only Levine around here.
To rich for my blood, although i buy Castellos and Ashtons, but slightly used, save a lot of money that way, but great show..
Artisan or high grade, price and/or classification are never indicative of how well a pipe smokes. As seilerjp pointed out “you can have a great smoking pipe in any of the categories and a real stinker in any of the categories”.
Allow me to share an advice that Alex Florov gave my friend once: “You can make a pipe that will look like [and probable sell for] a million bucks. However, if it is not “engineered” properly, it is worth S%#T (you guys can figure the word out)!” The pipe will not smoke properly. It will be useless. It may very well, to use Brian’s own phrase, serve as bookends, or as Michael pointed out, serve as a projectile.
However, I will agree with Rick that Michael Parks does turn out some of the very best high end pipes.
Brian, this is a great show, great format. Would love to hear more from pipe makers, tobacco manufacturers, different pipe clubs – their activities, etc.
Great show guys. Michael Parks is a class act. Commended by JT Cooke no less. I listened to the interview smoking my commissioned Michael Parks blast billiard. Star of the East. Keep up the great work, guys.
sf1
Finally! A podcast for the pipe smoker! GREAT show! Keep it up Brian!!!
Can’t be Queen Victoria as she was a staunch non-smoker.
Great Show-I’ve been a pipe-smoker for over 50 yrs-enjoy hearing about pipemakers.I’m lucky to belong to The Capitol District Pipe Club -we meet monthly and are fortunate to have as our leader Russ Oulette (Master Blender). I’m most interested in hearing about Estate pipes-(Most popular- best buys-most collectible.)I favor English and Italian pipes but have started interest in American artists as well. Keep up the good shows!!!
I am looking forward to Radio Live Show #3. I have my pipe and Merlot wine glass ready 2 go! Oh….now I just need a bottle of Merlot. Happy Thursday listening Radio & Pipe friends. Best regards, Your Pipe Pal Patty
Enjoyed the show. The reason I listened was that you were going to explain the difference between artisan and high grade. When the time came, you said you didn’t know. How about defining it better, maybe by giving the names of the high grade makers. By the way, I am listening to this interview as I write this. I want to know details. How do you select briar? How do you cure it? What stains do you use? Are they tasteless (the stains)? Must the draft hole have to be at the exact bottom of the chamber? Do you use a flexible shaft rasp to shape between the shank and bowl? Stuff like that. Thanks.
Amazing! Your questions to your guest were pertinent and probing! I look forward to your future shows.
“Patronize that lonely, last facility.”