It was the year 1975. The culture of developing analog electronics in music was just beginning. One of its leading pioneers was Larry Fast, who began experimenting with manually programming analog electronic sequences and building up songs by laying down multiple tracks.
"Sequencer" was started during the summer of 1975 shortly after the release of Electronic Realizations for Rock Orchestra. House of Music, where the first Synergy album had been recorded, had been a 16 track facility. During the summer of 1975 they went through a major upgrade to 24 tracks with a new MCI JH-500 console and JH-24, 2 inch analog tape machine with dbx noise reduction.
"Sequence 14" is based on a 14 step sequence, stored in the Oberheim DS-2 digital sequencer and used as the basis for the entire piece. The techniques used for the recording are all pretty straightforward multitrack overdubbing. As mentioned earlier, the quiet rainforest "scene" in the middle is a segment that was initially developed for a never-produced Laserium planetarium laser light show. The scherzo movement at the very end of the entire piece was much longer at one time, too long, in fact. I was bold enough to do a massive editing job right on the 2 inch 24 track tape. When that one minute segment played back for the final mix, I think there was more editing tape than regular mylar backing on the multitrack. I'm guessing that there are easily 35 or 40 razor blade edits flying by. If only there had been digital editing then...
The resulting pioneering work, 20 years before the advent of digital, is best heard on a ten-octave sound system to be fully appreciated. If you have never heard Synergy, I hope you like this little piece:
Sequence 14