Hi Jay,After getting into JJ Cale via this Forum I've accumulated several of his albums and my latest is this triple disc affair simply called Collected.
There are many Cale compilations out there but this one is quite different as the third disc contains mostly previously unreleased tunes, some of them live.
Three discs at roughly 1 hour per disc, excellent value at just a nudge over £12.
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Jay.
Oops. If you mean The Road To Escondido then I bought a copy less than an hour agoI also bought the one he did with Clapton. But thought it was pretty dire so binned it.
avail I am sure that you enjoy that album. My parents had a different Mitch Miller and the Gang Christmas album, which brings back pleasant memories to me too. But I am not so keen on any other Mitch Miller. Over the years, I read there was some tension between Frank Sinatra and Mitch Miller when both were at Columbia Records. Mitch Miller, who was an influential producer, was known for his heavy-handed production style. Sinatra felt that Miller's approach was overproduced and they often clashed, with deep animosity between the two. I tend to agree. Sinatra was particularly unhappy with some of the corny novelty songs Miller chose for him, such as "Mama Will Bark," which he felt were beneath his talent. This tension eventually contributed to Sinatra leaving Columbia and moving to Capitol Records, where he had more creative control over his music. Whether true or not, it’s clouded my opinion about Mitch Miller. Many fans and critics consider Sinatra's Capitol years to be his artistic pinnacle. When he moved there, he had greater creative control and worked with renowned arrangers like Nelson Riddle, Gordon Jenkins, and Billy May, and produced iconic albums such as, "In the Wee Small Hours" (1955), "Songs for Swingin' Lovers!" (1956) and"Only the Lonely" (1958). What do any of you think?From 1958.
Thanks for describing that story, I had no idea, but then I was a little at the time. I remember my dad tuning in the Mitch Miller TV show. (This was one of the few shows he watched, or permitted while he was in the living room. He called it the "idiot box", I'm sure he was not alone in that.)avail I am sure that you enjoy that album. My parents had a different Mitch Miller and the Gang Christmas album, which brings back pleasant memories to me too. But I am not so keen on any other Mitch Miller. Over the years, I read there was some tension between Frank Sinatra and Mitch Miller when both were at Columbia Records. Mitch Miller, who was an influential producer, was known for his heavy-handed production style. Sinatra felt that Miller's approach was overproduced and they often clashed, with deep animosity between the two. I tend to agree. Sinatra was particularly unhappy with some of the corny novelty songs Miller chose for him, such as "Mama Will Bark," which he felt were beneath his talent. This tension eventually contributed to Sinatra leaving Columbia and moving to Capitol Records, where he had more creative control over his music. Whether true or not, it’s clouded my opinion about Mitch Miller. Many fans and critics consider Sinatra's Capitol years to be his artistic pinnacle. When he moved there, he had greater creative control and worked with renowned arrangers like Nelson Riddle, Gordon Jenkins, and Billy May, and produced iconic albums such as, "In the Wee Small Hours" (1955), "Songs for Swingin' Lovers!" (1956) and"Only the Lonely" (1958). What do any of you think?
After making enquiries on a Hi-Fi Forum I've now converted my NTFS pendrives to FAT32 and my WAV files to FLAC files, or rather I've used some new software (EAC) to rip them as FLAC files.I haven't used pen drives in a while, but can you not reformat the drive to what you want?
Hi Jay,After making enquiries on a Hi-Fi Forum I've now converted my NTFS pendrives to FAT32 and my WAV files to FLAC files, or rather I've used some new software (EAC) to rip them as FLAC files.
One huge rigmarole but I think I'm getting there.
Jay.