You mentioned, regarding, America's Young Lions,"They are technically lightyears ahead of factory Britwood."
Can you explain their technical superiority?
I'll give it a shot. :D
First, by "America's Young Lions" I was referring to a group of carvers that began to emerge in the early 2000's who were inspired by the artistic and technical standard of collector pipes that had been made in (primarily) northern Europe for several decades. A dozen years on, and the group has grown steadily larger. I also refer to this lion pride as "perfection chasers", because what makes them tick is an unquenchable desire to make the pipe they're working on better than the last one. They are relentless.
I emphatically was
not referring to a more recent wave of American pipe enthusiasts who produce/import low and mid-grade pipes intended primarily as tobacco access devices. Chasing perfection, and visual and technical artistry is not what they're about.
Second, by "technical superiority" I meant the totality of execution. Fit, finish, tolerances, symmetry (when applicable), difficulty, and so forth. Maybe "precision" is a good summary word.
I'm confident about making such a statement because I work on pipes for a living---especially high grade collectables---and being able to copy the work of the world's top Scandinavian and American masters is necessary to achieve an "invisible" repair or re-stem. Once I was able to do that, I discovered to my surprise that I had to deliberately "throttle back" when working on British pipes like Dunhills. Making a stem that is too precise, for example, made the whole pipe look wrong. (The top collectors of English brands want period-correct workmanship, not today's "perfection chaser" workmanship.)
Please don't misunderstand. I
ABSOLUTELY LOVE old British pipes. I
adore them. They are (virtually) all I own. I simply don't let that emotional connection interfere with my objectivity when it comes to their technical execution.