I was just having some Sutliff Edgeworth Ready Rubbed Match in a cob, and I started doing some thinking.
For those that need a real point or reason to read something, you can probably stop now.
I almost always smoke this blend in a cob. For me, it just tastes great this way. I have (and do) occasionally smoke it in a briar or meer, but it just seems best in a cob.
This (for some unknown reason) got me to thinking about home stereo equipment. For me, cobs sort of smear a blend a bit, I feel I don’t really perceive the details and fine points in a cob, but sometimes that works perfectly. They can even enhance an already sweet blend. I feel like briars smear a little less, bring a little more clarity to the taste while still imparting a certain flavor of their own, but not like a cob would. Finally, the meer is the most revealing, with the details of the tobacco flavors really coming into focus and no apparent coloring of the flavor from the material.
Just to be clear, I don’t think the three types totally change the flavor of a blend, they just present in a slightly different manner.
So here is where the stereo part comes in.
A really high end system with high quality speakers will typically present a very clear and defined sound with minimal distortion. A system of this caliber can reveal limitations in the source recordings and production. This is the kind of system where you hear a piece of music you have known for years and suddenly you hear a nuance you never heard before. This is the meer, with little to none of its own flavoring and reveling the most detail.
Then you have your mid level stuff. Not the low end beginner stuff, but the nicer consumer pieces like perhaps a vintage Marantz with some higher end vintage ARs. It colors the sound a bit, but in a nice way. It rolls off and rounds the high end while keeping a slightly tubby bottom end. It never fatigues the ear and you can listen to it for hours and hours. This is like the briar which slightly colors the flavor overall but still reveals all the best parts quite well.
Finally you have your old Soundesign stereo. It looks like a component rack system, but it’s all one piece. You get the big speakers with the small drivers in them. It doesn’t really compare to the other systems in terms of clarity or depth of soundstage. However, you can crank it up and it gets loud, albeit with more distortion than the others. You don’t mind pushing it to the limits because it was cheap. It gets the job done and sometimes that’s all you need. Works great for a garage stereo you don’t have to worry about. This is the cob, it doesn’t have quite the elegance or clarity of the higher end systems, but it can thump a little and you never worry about what happens to it. I think cobs enhance the sweetness of some blends, and as noted earlier it is my favorite for the Edgeworth match. Also for Stokkebye Cube Cut.
As the saying goes, different horses for different courses.
For those that need a real point or reason to read something, you can probably stop now.
I almost always smoke this blend in a cob. For me, it just tastes great this way. I have (and do) occasionally smoke it in a briar or meer, but it just seems best in a cob.
This (for some unknown reason) got me to thinking about home stereo equipment. For me, cobs sort of smear a blend a bit, I feel I don’t really perceive the details and fine points in a cob, but sometimes that works perfectly. They can even enhance an already sweet blend. I feel like briars smear a little less, bring a little more clarity to the taste while still imparting a certain flavor of their own, but not like a cob would. Finally, the meer is the most revealing, with the details of the tobacco flavors really coming into focus and no apparent coloring of the flavor from the material.
Just to be clear, I don’t think the three types totally change the flavor of a blend, they just present in a slightly different manner.
So here is where the stereo part comes in.
A really high end system with high quality speakers will typically present a very clear and defined sound with minimal distortion. A system of this caliber can reveal limitations in the source recordings and production. This is the kind of system where you hear a piece of music you have known for years and suddenly you hear a nuance you never heard before. This is the meer, with little to none of its own flavoring and reveling the most detail.
Then you have your mid level stuff. Not the low end beginner stuff, but the nicer consumer pieces like perhaps a vintage Marantz with some higher end vintage ARs. It colors the sound a bit, but in a nice way. It rolls off and rounds the high end while keeping a slightly tubby bottom end. It never fatigues the ear and you can listen to it for hours and hours. This is like the briar which slightly colors the flavor overall but still reveals all the best parts quite well.
Finally you have your old Soundesign stereo. It looks like a component rack system, but it’s all one piece. You get the big speakers with the small drivers in them. It doesn’t really compare to the other systems in terms of clarity or depth of soundstage. However, you can crank it up and it gets loud, albeit with more distortion than the others. You don’t mind pushing it to the limits because it was cheap. It gets the job done and sometimes that’s all you need. Works great for a garage stereo you don’t have to worry about. This is the cob, it doesn’t have quite the elegance or clarity of the higher end systems, but it can thump a little and you never worry about what happens to it. I think cobs enhance the sweetness of some blends, and as noted earlier it is my favorite for the Edgeworth match. Also for Stokkebye Cube Cut.
As the saying goes, different horses for different courses.
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