I’m somewhat eclectic in my taste when it comes to music albeit there is much that I can’t abide with. But, I would imagine that is the way with most people. I’ve been to my share of rock festivals in the late 60’s and just missed Woodstock because of car trouble and also had season tickets at Orchestra Hall for the Chicago Symphony Orchestra. As of late I’m really enjoying the multisided of classical videos available and being able to enjoy seeing an orchestra play some of my favorites on YT while I sit back and enjoy a pipe or a cigar.
As for the jokes about conductors I heard them all before, but as I remember they were all originally about lawyers. On the subject of conductors, yes, they are indeed an integral part of a symphonic orchestra albeit it may be difficult for most to understand why. Obviously the orchestra knows how to read the score and count, but more often than not the conductor comes into play during the rehearsals and giving his/her personal interpretation of the piece. Also, the conductor can remind the orchestra during the performance of how he/she wants the piece played. There is much more to the playing of music than reproducing the written score in aural form. It is possible for musicians to forget, and when you consider that they are playing their instrument, reading the score and trying to keep together with those around them all simultaneously any help is welcome.
Then there is also the rests and especially for brass, woodwind and percussion players. There can be considerable stretches of time when they are not required, signaled in the score by something like 140+ bars rest. Even the most rhythmically minded musician can lose count so the responsibility is placed in the hands of the conductor. If you watch a video of a symphonic orchestra and the camera focusing on various players you will indeed see them occasionally looking up at the conductor and they do so for a reason.
Granted, there are some conductors that simply get carried away and into their own world, as it were, and make unnecessary gestures that mean absolutely nothing to the orchestra, but they are still directing the necessary flow and timing. Here is a one example of such by Valery Gergiev conducting ‘Scheherazade’ by Rimsky Korsakov. Crank up the volume, turn down the lights and indulge yourself. :wink:
https://www.youtube.com/watch?v=SQNymNaTr-Y