I know what you're saying, and I agree to a point. Having spent my whole life sweating out a living in the art world, when a craftsman in the booth next to me is having his sculptures casted and then all he does is sand and polish them up really nice, maybe patina them, before setting up his tent next to my work, where I have actually carved everything with files and burs, everything by hand, and he puts up a sign that says handmade... by God, I'm going to make sure every customer that passes my booth understands the difference in what I am selling and HIS work.
In the long run, most customers don't care how the work is made. You are right, buy what appeals to you. Most just see a widget. But, it does make a difference to some of us. I mean, I'll buy pipes with mass produced stems. I even have a bunch that I am certain were from totally mass produced stummels. But, it does make a difference to me and my pocketbook when an artists has actually made the pipe on his own lathe from scratch. Even more kudos if he hacked it out with a rasp, ha ha. But, I realize no rational pipemaker is going to actually do that. But, these things do make a difference to some of us.
Pipes are not art, though. At least not entirely. And the crafting of a pipe is much different than what goes into sculpture, painting, or even song writing, etc. I’m not minimizing the creative nature of the craft, but they are objects that have to function a certain way, unlike most of the other things listed above.
Of course it matters to some people how these tools are crafted, and I’m one of those people. An overwhelming majority of the pipes in my collection feature hand-cut stems.
The point is that the methods behind pipe fabrication are not inherently bad or good. Former is one of the best pipe makers that has ever lived and his “preform” stems are excellent. Do I prefer his hand-cut vulcanite stems? Yeah, a bit (no pun intended).
“From scratch on his own lathe” is hilarious. A lathe is hardly a hand tool. You’re guessing (without seeing the machinery used specifically for the model in question) that it’s a high-tech 3D briar printer. How sure are you that the methods used to produce the Rusticated Apples are wildly different from turning them on a lathe? Is it that you want the man’s hand turning the crank instead of the crank turning itself? Using a template still requires design work (art), and it takes a lot of handwork to finish the stummel once it’s been roughed-out. The implication that it’s at all similar to molding/casting a sculpture is silly.
Things can matter as much or as little to any of us as we wish, but I encourage folks not to get hung-up on details that they wouldn’t notice without others (who may not even own one of these pipes) deciding if they’re “good” or “bad”. It’s basically the difference between positivity and negativity; support and discouragement.
“You can either buy a hand painted work by Salvador Dali for $260,000 or a print of that painting that he has signed by hand in the gift shop for $26.99. In the art world, it makes a difference.”
Some people can’t afford the original. Also, there’s only one. Do you think you have to be rich or just lucky to be able to enjoy something that someone has created? That, in the case of pipe making, it’s somehow wrong or dirty to design and produce something more accessible
alongside other more “authentic” work? I only see a problem if the print is being sold in the gift shop for a similar price to the original. Dalí didn’t even press the “print” button, but Former does make all of the Rusticated Apples; he has simply figured out a way to make the process slightly easier and has priced them accordingly.
If anyone out there wants a Former, but hand-cut stems are important to you, then I have good news... but it will definitely cost more than $26.99.