For years I used Flitz (or its equivalent) squeeze bottle metal polish, complete with the tiresome exercise of masking the adjacent wood with electrical tape to guarantee the resulting Ugly Black Stuff On The Rag did not stain the wood.
I have both been sent and seen on Ebay any number of really nice pipes that had dark smudging---permanent dark smudging---next to the silver from people who either forgot to mask or weren't aware it was necessary. (One was an UNSMOKED brand-name cased companion set that was hundred years old... )
Anyway, somehow I learned of the "ash method" years ago and never looked back.
Zero cost, doesn't require masking, and is super-fast.
Just sift an ashtray's contents through one of those super-fine conical kitchen strainers and keep the harvested powder---it's like gray flour---in a shallow snap lid container.
To use, touch a folded paper towel or TP to your tongue---do NOT spit on it, a lick is enough---then gently touch the damp spot in the ash.
A few buff-twists is all it takes. Instant silver-white shine. Something I especially like is since it's not a liquid the tarnish "at the bottom" of any embossing/stamping stays dark. The resulting 3D effect adds interest and class to old silver, imo.
I have both been sent and seen on Ebay any number of really nice pipes that had dark smudging---permanent dark smudging---next to the silver from people who either forgot to mask or weren't aware it was necessary. (One was an UNSMOKED brand-name cased companion set that was hundred years old... )
Anyway, somehow I learned of the "ash method" years ago and never looked back.
Zero cost, doesn't require masking, and is super-fast.
Just sift an ashtray's contents through one of those super-fine conical kitchen strainers and keep the harvested powder---it's like gray flour---in a shallow snap lid container.
To use, touch a folded paper towel or TP to your tongue---do NOT spit on it, a lick is enough---then gently touch the damp spot in the ash.
A few buff-twists is all it takes. Instant silver-white shine. Something I especially like is since it's not a liquid the tarnish "at the bottom" of any embossing/stamping stays dark. The resulting 3D effect adds interest and class to old silver, imo.
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