I've been a pipe smoker for almost 20 years and a pipe maker for 15. I have smoked all sorts of pipes made from all sorts of materials and have smoked various pipe designs promising a dry and cool smoke. Although I love briar pipes, my daily go-to pipes are gourd calabashes made by Baki, primarily because they smoke so cool and dry. Gourd Calabashes have one major drawback, however. The gourd is porous, so absorbs a lot of gunk and turns sour. I usually cut and place a triangular shaped paper towel to fit directly under the chamber hole, and at the end of a smoke the paper is wet, yellow and smells absolutely foul. The paper slows down the fouling a bit, but after about a fortnight I have to clean the gourd with Everclear, which isn't a task I enjoy. The gunk that comes out is amazingly nasty. The pipe will then taste nice and fresh for about a week, and then slowly start to smell and taste dirty again.
So I decided to design a pipe specifically for me and what I like. I like big and beautiful, but more importantly I like a pipe that smokes right for my style of smoking, which is like an old steam-locomotive puffing up to speed. My kind of puffing can produce an abundance of both heat and moisture. Designing a pipe to take care of this, while at the same time not fouling up like a gourd, was most important in this experimental design.
The pipe has three parts. Top bowl, bottom bowl and stem. The bottom bowl has two cooling chambers. I will place a Philtpad (which is a round shaped chunk of highly absorbent chalk) at the bottom of the first chamber to collect all the moisture and act as a primary cooling area. The second chamber is in the shank and will, in theory, cool and dry the smoke even further. The top bowl and the stem are fitted with cork so I can remove quickly and swab out the chambers after each smoke. I am hoping that the briar will stay cleaner and not absorb the gunk that a gourd does. The connecting drill holes are wide open, as is the mouthpiece, and the draw is effortless.
I have not stained this pipe. The finish, which is comparable to Tom Eltangs golden contrast finish, is achieved by layering two chemicals that oxidise in the wood, and later removed by wet sanding before buffing and waxing. The shank ring is made from Olive wood, and the stem hand cut from an Olive coloured Cumberland (ebonite) rod.
I haven't smoked it yet, that's for tomorrow. I've been working on this pipe on and off since January, and finally finished it today. I wanted to share a bit of my excitement for finally getting to own one of my own pipes that wasn't a reject. I'll report back once I smoke it, and let you all know if the design turns out better (or not) than a proper gourd calabash.
So, here is what I made:
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/a-600x400.jpg
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/b-600x400.jpg
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/c-600x399.jpg
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/d-600x399.jpg
So I decided to design a pipe specifically for me and what I like. I like big and beautiful, but more importantly I like a pipe that smokes right for my style of smoking, which is like an old steam-locomotive puffing up to speed. My kind of puffing can produce an abundance of both heat and moisture. Designing a pipe to take care of this, while at the same time not fouling up like a gourd, was most important in this experimental design.
The pipe has three parts. Top bowl, bottom bowl and stem. The bottom bowl has two cooling chambers. I will place a Philtpad (which is a round shaped chunk of highly absorbent chalk) at the bottom of the first chamber to collect all the moisture and act as a primary cooling area. The second chamber is in the shank and will, in theory, cool and dry the smoke even further. The top bowl and the stem are fitted with cork so I can remove quickly and swab out the chambers after each smoke. I am hoping that the briar will stay cleaner and not absorb the gunk that a gourd does. The connecting drill holes are wide open, as is the mouthpiece, and the draw is effortless.
I have not stained this pipe. The finish, which is comparable to Tom Eltangs golden contrast finish, is achieved by layering two chemicals that oxidise in the wood, and later removed by wet sanding before buffing and waxing. The shank ring is made from Olive wood, and the stem hand cut from an Olive coloured Cumberland (ebonite) rod.
I haven't smoked it yet, that's for tomorrow. I've been working on this pipe on and off since January, and finally finished it today. I wanted to share a bit of my excitement for finally getting to own one of my own pipes that wasn't a reject. I'll report back once I smoke it, and let you all know if the design turns out better (or not) than a proper gourd calabash.
So, here is what I made:
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/a-600x400.jpg
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/b-600x400.jpg
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/c-600x399.jpg
http://pipesmagazine.com/wp-content/blogs.dir/1/files/album/16703/d-600x399.jpg