@ Houndstooth
Reading that list of B&W films had me salivating. Night Of The Hunter is one of the most beautifully shot movies ever made. There's nothing to compare with seeing it on a screen in a good print. I'm fortunate to have seen every one of these, and thousands of others over the years, on the big screen. To that list I would also add the 1935 version of A Midsummer Night's Dream Hal Mohr's work, as well as that of his staff, is lustrous. The thing about B&W is that you need to know how to light. There's no color to help differentiate the content in the shot.
As for new movies, there's nothing much that I'm waiting for. Having worked in visual effects for many years, I just don't get excited about them like I used to do. If the story isn't good, no amount of effects will save a film. I'll just see what appeals when it opens.
Reading that list of B&W films had me salivating. Night Of The Hunter is one of the most beautifully shot movies ever made. There's nothing to compare with seeing it on a screen in a good print. I'm fortunate to have seen every one of these, and thousands of others over the years, on the big screen. To that list I would also add the 1935 version of A Midsummer Night's Dream Hal Mohr's work, as well as that of his staff, is lustrous. The thing about B&W is that you need to know how to light. There's no color to help differentiate the content in the shot.
As for new movies, there's nothing much that I'm waiting for. Having worked in visual effects for many years, I just don't get excited about them like I used to do. If the story isn't good, no amount of effects will save a film. I'll just see what appeals when it opens.