I'm confused. Did you ask AI to show a picture of YOU pipe smoking ? or to show you a picture of someone smoking a pipe ? The answer could explain a great deal.... and what it produced was hilarious. Clearly the AI algorithms are still learning what makes us tick, but if this is what they think pipe smoking is, I think my hoard of Dunhill tins will be safe after SkyNet takes over.
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I have mixed feelings about the sea change in photography over the past 25 years or so. On the one hand, I think that it’s phenomenal that people without deep technical abilities can now make good photos, easily. While that has eliminated the entire bottom half of what was my business, it has also shown people the dichotomy of equipment versus content. Craft vs aesthetics. So clients have a much deeper appreciation for what I do in my work. So I now do a lot more work that is more challenging and ultimately much more fulfilling. It’s no different than writing, car repair, orthpedics or plumbing. Anyone can buy the tools, but who wants to let their coworker’s teenage daughter set their leg?Don't get me started on what has happened to photography since film was eliminated.
Did that make him a Pipe Fitter??
Aren't they "borrowing" rather than stealing? Actually, I don't care. Some are thieves, a few are artists.
It would have been easy enough to find an image of folks smoking pipes just with a simple google search.
Yeh, the last 25 years many photo jobs get replaced with a boss telling his secretary to use her phone to go take a picture of... whatever. My issue is going to an art fair or gallery and someone is selling $800-5000 pictures that they snapped and sent off to have giclee prints made for them. They merely snapped a picture, had 200 prints made for $12 a piece and are asking for the same print prices that printmakers are asking.I have mixed feelings about the sea change in photography over the past 25 years or so. On the one hand, I think that it’s phenomenal that people without deep technical abilities can now make good photos, easily. While that has eliminated the entire bottom half of what was my business, it has also shown people the dichotomy of equipment versus content. Craft vs aesthetics. So clients have a much deeper appreciation for what I do in my work. So I now do a lot more work that is more challenging and ultimately much more fulfilling. It’s no different than writing, car repair, orthpedics or plumbing. Anyone can buy the tools, but who wants to let their coworker’s teenage daughter set their leg?
The theives are those using copyrighted content to construct new work. I can definitely see an artist inputting a catalog of their work and using AI to create derivatives. Not very creative, but certainly morally acceptable.The thieves are the ones who use AI to take creative jobs. No one is making any money just posting things on here.
You are a different kind of professional photographer. I am thinking more of the guy who snaps a skyline of a cityscape, or an old barn, and sends it off to be made into giclees, and then sets up a tent next to mine. I know that painters have to eat, so they make these giclees also. But, I wish they would stop numbering them like editions and calling them prints. We all know that once they run out of prints, they can just call and get more made. Whereas in printmaking, we actually cancel the plates.Does that diminish it’s value?
This part right here. So many extreme metal bands now are making album art with AI. Album art is part of the packaging to attract people to the album as well as part of buying the physical media as opposed to just a digital download. So it does have a direct influence on their profits.Of course, that isn’t the attraction for Ai users. The attraction is a free lunch (that artists are paying for).
Yes.Do people really make their own pool of work for ai? That just seems silly. Why not just do the editing themselves then?
I would practice film photography as an art if I had access to a photolab where I could process my own film and make my own prints.Yeh, the last 25 years many photo jobs get replaced with a boss telling his secretary to use her phone to go take a picture of... whatever. My issue is going to an art fair or gallery and someone is selling $800-5000 pictures that they snapped and sent off to have giclee prints made for them. They merely snapped a picture, had 200 prints made for $12 a piece and are asking for the same print prices that printmakers are asking.
But, I also have issues with painters who paint one pic, snap a pic and do the same.
As a printmaker, we all spend 90% of our time explaining that what we do is very different from them. In my collective we still have photographers who take pictures and use negatives to make lithography, etchings, or screen prints. So, photography as an art is still alive. For me, it's the use of a computer printer that kills the value. An actual real print pulled from a press is so much more alive and valuable.
If you get as much enjoyment out of the process as you do from the finished product, then by all means, go with wet. My priority is the end product, and there is simply no way that I could achieve the same level of quality and quantity shooting film as I do with digital. I shot film for decades, really enjoyed printing (my personal work), but having to do darkroom work for clients sucks.I would practice film photography as an art if I had access to a photolab where I could process my own film and make my own prints.
Certainly! I'm not an animalI am sure Mike would never wear a dinner jacket in public in the daytime.....
Could you not do so, starting with a hi Rez digital file? Photoshop and Lightroom offer all that a genius with darkroom experience can do. Of course, missing is the wonder of a print in developer, the peace and sanctity of the darkroom....I would practice film photography as an art if I had access to a photolab where I could process my own film and make my own prints.
My great grandad would wear a 3 piece suit to the beach.Certainly! I'm not an animal