I don't want to say this and hurt anyone's feelings... but I wasn't impressed with either of the two Boswells I owned, and that's strictly from a smoking quality point of view. They were just lacking in that special something. Oh well, different strokes I guess. I know some people swear by 'em but I can't really see why. I am also not a fan of the newer Ben Wades, they are sorta bulky and frumpy-smoking. Please don't ask me to define specifically what a "frumpy smoke" might be because I just made that up, but suffice to say it wasn't a pipe I returned to. Last but not least, I don't want to step on any toes, but many high-priced carvers around these days aren't really putting alot of attention into anything but pipe design, when they should make their pipes better smokers. That's what distinguishes a GREAT carver from an okay carver: the proof is in the smoke. I won't name names but that's an issue you run into when you buy high-grade stuff these days: they look pretty but they smoke mediocre.
On the other hand, a Stanwell I got at the Richmond show in 2000 or so has turned out to be an absolute favorite. It wasn't even twenty bucks and I have to say I've got more pleasant smokes out of that pipe than any other I own. Then, of course, some of the hand made ones are real special. (A shout-out to Vollmer & Nilsson here.) And last but not least, you know that Polish pipe carver whose stuff you see all the time, is it Worobiec? That pipe is freakin amazing. And I have a Design Berlin billiard that cost me a few bucks and it smokes incredibly. You can never tell sometimes.