Final bit:
In 2023 I moved to Oregon to my little house, while still working remotely. I was out of contact for three days, and then back up, living in a sea of unpacked boxes while keeping the show on schedule.
The writers' strike was in full swing, and the studios were in a panic. But they also saw this as a way to get out from underneath expensive contractural obligations to one hit wonders. Stretch out the negotiations until contract riders came into play and contracts could be nullified or renegotiated lower. In a way, there was no urgency to end the strike and it could be used later as an excuse for all of the ensuing ills.
Animation jobs were continuing to disappear. Live action jobs also began to dry up. Studios did the untinkable. They cut executives! They never cut executives. Too scary.
Streaming was unprofitable, then began to make some small profits. Cable was unprofitable. A lot of money was servicing debt, top executive pay or top talent. The solution was to promote cheap entertainment, ie reality TV. Cheap and the audience loves it. Why try to do quality? With reality TV you don't need big crews.
But, eventually crap wears thin, and you have to provide something that appeals to people with an IQ above 30.
So MAX is being returned to HBO MAX, and more quality TV will be made. It just may not be made in California. Another thing that happened was the siren call of Tax Credits by other states, like Georgia and New York, to lure productions away from LA. Canada had done the same thing in the 90's. Studios are happy to take government money. Sometimes they even hire local crews. But inevitably the government take it in the shorts on these deals, just like they take it in the shorts on tax breaks with an Amazon.
I finished Kiteman: Hell Yeah! after the move, and then reluctantly agreed to do the final season of Harley, season 5. That final season was the straw that broke this camel's back. Practically no staff, very little time. I was given veto power over the show runner by the studio. There was no fucking way that I would exercise it. But I figured out ways to get the thing done and keep the peace. And then, I was done.
The wreckage continues in LA. Warner Animation is still going, but it's a fraction of what it was a few years ago. Zaslav still doesn't see television animation as a valuable part of the whole, but he's interested in Feature Animation, so we'll see where that goes.
Fortunately, there are other studios still producing animation. I just don't know how much or under what kinds of budgets nor conditions. At this point, I don't much care.
Add to that all of the buzz about AI, most of which is bull shit.
Add to all of this these additional channels for selling entertainment, such as YouTube, and you have a perfect shit storm.
At some point it will sort itself out, but I have no clue what will emerge from it all.
Well, boy, I didn't intend to write a book, but you asked.