This is something I’ve wondered about for a long time as well. In my own made up history it had something to do with the relations of Germany and Italy post WWII (I have no proof of this mind you). It’s interesting while most of the world’s pipe makers use vulcanite, the Italian school for the most part sticks to acrylic. I do appreciate the work of Italians that work in ebonite/vulcanite predominantly; Il Duca, Gabriele, Becker etc.
My collection leans heavily towards the Italian school of pipe making so acrylic is a preference at this point. Although I don’t have anything against pipe makers that prefer the allure of using highly polished dark ebonite.
I disagree when people say lucite is inferior and unable to be crafted for comfort; there’s an early Ser Jacopo billiard in my collection that has the most comfortable stem I’ve ever come across. A high grade acrylic can still be very comfortable. The stem on my Old School Pipes/Cardinal House lovat is superb.
My collection leans heavily towards the Italian school of pipe making so acrylic is a preference at this point. Although I don’t have anything against pipe makers that prefer the allure of using highly polished dark ebonite.
I disagree when people say lucite is inferior and unable to be crafted for comfort; there’s an early Ser Jacopo billiard in my collection that has the most comfortable stem I’ve ever come across. A high grade acrylic can still be very comfortable. The stem on my Old School Pipes/Cardinal House lovat is superb.