Walt Disney: American Icon, Inventor of Pop Culture – Pipe Smoker
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Kevin Godbee - Jul 11, 2012
- 14 min read
Fred Brown
[Editor’s note: After conducting several hours of research, the above photo was the only one that could be found of Walt Disney smoking a pipe. Although he was a chain-cigarette-smoker, and occasional imbiber of the pipe, he avoided smoking when he was in public view, especially where he might be seen by children. The third photo shows him holding a cigarette.]
Walter Elias Disney was born in Chicago, Ill., in 1901, into a hard-working, adventuresome family of Irish immigrants. That he would become one of the world’s great storytellers is not hard to picture. But Walt Disney also became the world’s "imagineer"—an engineer of imagination who created universes of wonder and magic through his cartoons and animated films. His world of whimsy became our world where you dreamed upon a star.
The Disney clan claimed their lineage was linked to the d’Isignys of Normandy. And their coat of arms is further burnished in that the Disneys are said to have come to England with William the Conqueror and fought with him at the Battle of Hastings in 1066, a war that changed the history of England.
And, in fact, the Disney surname survives in d’Isigny today. His earliest known ancestor was Jean-Christophe d’Isigny. The name was later shortened to Disney.
Walt Disney’s family took an Irish tour, then a Canadian sojourn before settling in America. A branch of the family moved to County Kilkenny, Ireland. Arundel Elias Disney was the first of the family to come to America, then moved to Ontario, Canada.
Elias Disney, Walt’s father, was born Feb. 6, 1859, in Ontario. He wound up in Lake County, Florida, around 1886. About two years later, Elias married Flora Calls, another Irish immigrant family, in Kismet, Florida.
By 1890, Elias, Flora and their growing family arrived in Chicago where Elias hoped to get a job as a carpenter for a gala exhibition—the 1893 anniversary of Columbus’s 400-year-old discovery of America. Chicago planned an exposition to honor the occasion, and the fair meant jobs, especially for carpenters.
Walt Disney was born Dec. 5, 1901, on Chicago’s south side, in the upper bedroom of a house built by Elias, beginning one of America’s great triumphs of achievements through genius and grit.
Early in his life, Walt knew that he loved to be the center of attention. He craved it, in fact. Acting came naturally, even to the point of his enjoying a scold from a teacher. At least he was being noticed and singled out.
He also excelled in drawing, especially cartoons. Despite his family’s penchant for moving—Missouri, Kansas City, back to Chicago—Walt was able to concentrate on his art to the point that many of his school mates would later write of their extraordinary classmate that they knew he would be famous and would be an artist.
Even in France during World War I as an ambulance driver for the Red Cross, Walt continued to sketch and draw. He said he found his ambulance as good a place as any to draw.
He spent a year in France at the war’s end and when he returned home, he had learned the French habit of smoking, something he would enjoy to excess the rest of his life.
In addition to cigarettes, Walt began to smoke a pipe by the time he was 20 years old. Later, after a pipe burned a hole in a pocket, he said pipe smokers were "too slow" and "too laid back." He returned to his three-pack-a-day cigarette habit.
He chain-smoked cigarettes to such a degree that his fingers, one writer said, "calcified" from the cigarettes. Chesterfields and Camels were his cigarettes of choice, but he also smoked Gitanes, a French import brand as well.
Walt Disney rose from obscurity to the most recognized American of his time, and perhaps of any time. His iconic animated characters—especially the most recognized mouse on the planet—have settled into the American lexicon. Mickey Mouse is better known than most U.S. presidents are. Donald Duck, Pluto, Minnie Mouse, Goofy, led the Disney studio into the stratosphere of American pop culture.
In fact, some historians and scholars believe Walt Disney invented pop culture.
One thing he did invent in a big, big way was the amusement/theme park—Disneyland and Disney World. Throw in Resort Hotels by the dozens for good measure. And, according to the website, Yesterland.com, Disneyland also had, yes, you guessed it, a tobacco shop on its Main Street.
The street was built to reflect America in the early 1900s, thus a tobacco shop that sold tobacco, including pipe tobacco, and something else very special: Walt Disney pipes.
"The Tobacco Shop opened in 1955 as one of the original shops on Disneyland’s Main Street. It was located between the Magic Shop and the Main Street Cinema on the east side of Main Street. The Tobacco Shop closed permanently in 1991," according to the website.
And since the tobacco shop was around in the 1950s, Disneyland patrons happily walked about smoking cigarettes, cigars and even their pipes.
That does not happen today. In fact, there are no tobacco shops in the theme parks today, despite the presence of the traditional cigar store Indian.
No cigarettes or tobaccos are sold anywhere in the parks—except in hotel gift shops—and outdoor smoking is severely limited, according to Yesterland.com.
In addition, on the PipesMagazine.com forum board, you will find not only a discussion of Disney pipes, but also actual photos of a beautiful billiard stamped with the "Walt Disney World" logo with famed mouse in the center of the design.
You don’t have to be told twice that a Walt Disney World mouse stamped billiard would be highly collectible today.
Just ask Brian Levine, National Sales Manager at Brigham USA, Charlotte, N.C. He possesses probably the finest Disney pipe collection (see sidebar) extant. What began as a whim has turned into a passion and a show-stopping assortment that has been featured at the Chicago Pipe Show as well as in P&T Magazine.
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From reading Walt Disney’s biography, it isn’t crystal clear just how big of a pipe smoker he was. It is absolutely clear that he was a heavy cigarette smoker.
Many of his former employees recall hearing the coughing Walt coming down one of the studio halls. He was something of a snappy critter, a demanding workaholic who did not mince words.
Hearing the raspy cough, workers knew to be on the lookout for the prowling Walt.
Also, at one point in the career of Mickey Mouse, Walt served as the high-pitched voice of the famed animated character. That changed over the years because of Walt’s heavy cigarette smoking habit.
The type of tobacco Walt Disney smoked in his pipes is not easily discerned, either. However, in one bio, his artist buddies, always full of pranks, would shave off some pieces of rubber from their art erasers and sprinkle the shavings into Walt’s pipe tobacco pouch.
More than likely, Walt favored pipe tobacco that closely resembled the combinations found in his cigarette brands, which would have been perhaps a blend of burley, Virginia bright leaf and Turkish.
It is also highly likely that pipes played an important role in the great animator’s ability to handle all the stress that arose from his megalithic entertainment empire.
When he died in 1966—attributed to acute circulatory collapse after recent surgery for removal of a lung tumor—the wide flung Disney entertainment enterprises were bringing in an estimated $100-million a year.
At the time of his death, Walt Disney was supervising the then new Disneyworld in Florida, a ski resort in Sequoia National Forest and the renovation of the 10-year-old Disneyland at Anaheim.
The Disney motion-picture studio was churning out six new productions and several television shows.
The Los Angeles Times obit called Disney "Aesop with a magic brush."
The New York Times said Disney was singular in genius and talent:
"From his fertile imagination and industrious factory of drawing boards, Walt Elias Disney fashioned the most popular movie stars ever to come from Hollywood and created one of the most fantastic entertainment empires in history."
"In return for the happiness he supplied, the world lavished wealth and tributes upon him. He was probably the only man in Hollywood to have been praised by both the American Legion and the Soviet Union."
"Where any other Hollywood producer would have been happy to get one Academy Award—the highest honor in American movies—Mr. Disney smashed all records by accumulating 29 Oscars."
"David Low, the late British political cartoonist, called him ‘the most significant figure in graphic arts since Leonardo.’
"Mr. Disney went from seven-minute animated cartoons to become the first man to mix animation with live action, and he pioneered in making feature-length cartoons. His nature films were almost as popular as his cartoons, and eventually he expanded into feature-length movies using only live actors."
The Disney legacy, of course, continues like the juggernaut Walt constructed from the humblest of beginnings.
Walt Disney’s dreams, like a "bolt out of the blue," rode in on a dream star that shines as brightly today as it did the first day of his life.
 Fred Brown is a Retired Senior writer for the Knoxville News Sentinel and was a working journalist for 46 years before retiring in 2008. He lives in Knoxville, TN., where he continues to freelance. |
Written by Kevin Godbee
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When I first started with the pipe as a quirky and precocious teen, the only tutelage I had at my disposal were scenes from old movies in which a well dressed chap would stick his pipe into a pouch, scoop tobacco into the bowl and press it down unceremoniously with his thumb. Then, with great flourish, he’d strike a match and light the thing with all manner of cinematic excess, puffing up vast clouds of smoke falling just short of completely obscuring his visage. While it may look good on film, it’s a terrible approach to actually enjoying the thing. Somehow, though, this “technique” seems to have survived in the contemporary vernacular, at least to some extent, even with bit-loads of information handily at our fingertips that should dissuade us from the practice. But, at the time, this misguided approach was all I had; it’s no wonder my early days of puffing were fraught with difficult lighting, harsh, bitter smokes and tongue bite, all culminating in a fireproof mass of ye old soggy dottle in the bottom of the bowl. Ultimately, the resulting frustration made me give up the pipe, at least for a while. While the idea of it was still very appealing, the practice of it was not. It wasn’t until a few years later when, still full of curiosity and romantic notions of pipe smoking, I wandered into a real tobacconist’s shop, and learned my “method” was a long way from the techniques that would bring me to any sort of pipe smoking bliss. So, after my poor start, and under the guidance of someone who actually seemed to know how to do it right, I was given the opportunity to approach the process anew, this time with much greater success. It was only because I was both perseverent, and fortunate to have a local shop staffed with knowledgeable people, that I’ve been able to enjoy the experience ever since. At least mostly… How many fledgeling pipe smokers have simply given up on an enjoyable pastime because of similar early mis-starts? Fortunately, today, it’s not hard to find helpful guidance at the press of a key or ten. 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Before we begin, I should tell you: this tobacco review is being written by an A.I. Not the fancy new GPTs or their ilk; no, this is last century’s meat-and-bone, all-organic model. To be fair, a large part of what we call knowledge is merely the accumulated perceptions and impressions gathered from a life wandered through, synthesized into a spongy mass of what-it-is-that-we-think-that-we-know. The algorithm for this prompt is simple enough: pump thousands of bowls of smoldering plant matter into a gaping maw, cross-reference the chemical sensations with all other matter previously ingested or inhaled, sieve it all through the diffuse and fractal twin lens of memory and emotion, and churn out a panoply of adjectives that attempts to convey the sensations to someone who hasn’t experienced it yet. Odds are that a diligently trained monkey could succeed half the time; if this reviewer nears fifty-one percent then that would qualify as an unrivaled success. There must have been some similar musings perambulating through the mind of Per Jensen when he began his mad scientist routine at Sutliff with the Pipe Force project, which brings us to the current mixture under the microscope—Sutliff’s Pipe Force: Episode I. Here again are the unusual ingredients that engendered the series, with the stoved Rustica being the defining voice in this composition. From the tin: The Latakia-forward English mixture offers plenty of smoky flavor from the fire-cured leaf, which is artfully harmonized with floral, earthy Stoved Rustica. A mixture of high-grade Virginias imparts a natural sweetness. Katerini, the sole Oriental component, offers herb and spice notes bringing complexity and nuance to the flavor profile. It’s certainly Latakia-forward, with the stoved Rustica doubling up on the rhythm section like a second bassist. A first whiff from the tin releases the aromas of shoe leather and hide glue in a base of clay soil with a campfire wafted over it like last night’s beach party. Once it’s been accustomed to oxygen again, subtle hints of sweetness poke through from the Virginias: lemon rind, light milk chocolate, the dregs of a peaty Scotch, and muddled cherry. Old regulars like fresh-sawn oak and tilled earth are there, of course, with distinct notes of truffle, creosote, damp peat, and pine bark mulch. As an aside, I’ve been re-potting my camellias and the similarity of aroma to the ericaceous soil mix is notable; the Katerini really brings the unique depth of its vegetal complexion when supported by the Rustica and afforded more voice in the mix. The smoky Cyprian Latakia, in turn, is backed by equal earthiness from the Rustica, which overall exhibits a profile similar to dark-fired Kentucky; it leans more toward the woody and vegetal end of that spectrum, echoing and amplifying those traits of the other constituents. The tobacco is presented pressed and cut into a couple of thick, hearty flakes in the tin, lightly moist and easily crumbled to prepare—I prefer mine with a bit of drying time. The out-of-this-world tin art for this episode in the series is Major O’Meara smoking a cavalier. In the absence of confirmation, I’m going to hazard a guess he’s of the Ithklur species. The first taste from the light is sweet, with hints of that milk chocolate dancing around the edges. The Virginia leads the smoke through the top of the bowl, and orchestrates it well. Thoroughly smoky with lemony, grassy highlights from the Virginia spectrum, it soon segues into the mid-bowl profile: heartier, smokier, with the flavor leaning to the mildly acrid and tangy tinge that is the campfire-esque signature of English blends. Caution advised, it can turn overly bitter if pushed—this is where one’s sipping technique is required to maintain the fullness of flavor through to the heel. I did tend toward a lot of relights, though it may have as much to do with technique as with the blend. Pacing is also important as the nicotine starts to manifest; though the Rustica’s contribution has been tempered well by the stoving, it can certainly upend an empty stomach. At the end of every bowl, the mouthfeel somehow gets better. The balance of sugars in the tobaccos would seem to be spot-on in this regard. I started out my tasting in cobs, then cut short an unpleasant bowl in a meer, and finally landed on my best instrument with the lovely Dunhill 4427 pictured, a quaint group 4 shell briar with a gentle curve and Cumberland stem supporting a perfectly executed acorn bowl. It surprised me here, as I’ve learned through the years that I generally have the best experience with English blends in large, wide bowls. With this blend it seems that to get the best out of the Katerini’s somewhat diaphanous influence the smaller bowl fared much better. Room note is very English, so the company you keep will either love it or hate it, and it doesn’t linger too much. I find it paired best with a strong coffee; Sumatran beans complement the flavors well, as do Ethiopian if a lighter brew is preferred. Overall impressions of the blend are that it’s a curiously interesting take on the English genre, almost a reductive reconstruction of the theme using the unique components. This blend, if nothing else, expanded my vocabulary of sense perceptions with the uniquely treated leaf. While the average human can distinguish approximately one trillion (1,000,000,000,000!) different aromas, multiplied by seven basic tastes, and wholly dependent on variables from body chemistry to atmospheric conditions, our overworked and underpaid simian brains can’t effectively catalog them all. Our pet adding machines are exceedingly good at this, however, and someday soon they’ll be the ultimate and unequivocal authority on what something tastes, smells, looks, or even feels like. Until that time, friends, revel in the moments that can be stolen to savor over a bowl of Pipe Force: Episode I.
Welcome to The Pipes Magazine Radio Show Episode 603. Our featured interview tonight is with Rick Newcombe. Rick is a well-known author of several pipe books, and he is currently working on his third book. He is a prominent collector of Danish pipes, and vintage tobaccos. He has traveled the world visiting pipe makers, and learning their different techniques. He is also the founder and chairman of Creators Syndicate, which currently represents more than 200 writers and artists. At the top of the show we’ll have a Pipe Smoking 101 segment discussing best pipe shapes and sizes that are best suited to certain types of tobacco.
Thanks for a great article! I’ve always wanted a Disney pipe.
Great article, thank you for sharing!!!
Great article. Sounds like Walt should have stuck with pipes instead of the cigs. I knew about the Disney tobacco store, but I had no idea a collection like Levine’s was out there. Fantastic stuff. You know, the irony is that Disney branded cigars, pipes, etc would probably sell like gangbusters today, but they’d never do it for the backlash by the anti groups.
Thanks for the history, another example of the role of pipes and tobacco in recent history.
This is my favorite article so far in this series.
I agree Kevin, excellent job Mr. Fred Brown.
Just a wonderful article. As child growing up in the 50’s I can tell you that watching the Walt Disney Show on Sunday evening was something the whole family enjoyed. Walt’s television personality was just magnetic.The Mickey Mouse Club was mandatory viewing for us kids. Walt died while I was in basic training. A number of us had to have some quiet time to cope with the loss.
Despite the love most of felt for Walt he had a dark side that would be viewed with strong disapproval today.
The sidebar shows us that Brian Levine just marches to a different drummer. He is just a most pleasant person to be around.