Dotter Pipes
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Kevin Godbee - Mar 19, 2013
- 15 min read
Croatian Creativity: Black Bamboo Freehand #84
Tom Spithaler
In 1989 I went through Infantry Basic Training at Ft. Jackson, SC. I was sworn in 7 September, and left basic training 14 December and was assigned to Ft. Lewis, near Tacoma, Washington. Basic Training is designed to mold a young man into a soldier. Training is drilled into you by a succession of skilled, task-oriented Drill Sergeants. Each task repeated over and over and over until that one task becomes a response of nature, rather than a ‘skill’ you have to stop and remember. If you have to take the time to stop and think, it will be too late, and you’ll become a battlefield statistic.
I remember a lot of my days in basic training; the heat, the cold, the commitment, the hard work, and the brothers that were made there. But something else really stands out from those days in basic. The only day off I had was Thanksgiving Day. That was the only day we were granted the privilege of leaving post with a 24 hour Pass. On that day, I sat in the living room of the home of a high school friend of mine, and watched the beginnings of the fall of communism in Eastern Europe. That day CNN was filed with images of the Berlin Wall being crushed, torn asunder, and family members who had been stuck on opposite sides of that wall, emotionally embracing each other after having been separated for nearly 50 years.
By 1991, the Soviet Union was officially dissolved, and as a result 14 nations immediately declared their independence. Soon thereafter Yugoslavia was dissolved, and from that communist land emerged five more separate independent states. One such nation was the Croatia, the now free homeland of the talented Domagoj Telisman, the owner of Dotter Pipes. Dotter is a combination of the first few letters of Domagoj’s first and last name. This was a nickname has stuck with him. Domagoj is the artisan behind this pipe you see before you now.
In a brief blog post about Domagoj I posted some time ago, it was primarily the attention to detail, and most especially the finish that really drew me to his work. Each piece, whether made from traditional briar or some other material such as olive wood, morta, boxwood, strawberry wood and others, the finishes were exquisite. I was immediately taken by his work and wanted, no, NEEDED to know more.
Emails and pleasantries were exchanged between Domagoj and I, and he soon agreed to allow a review. After working around and through his busy schedule, the example was delivered in a small envelope via US Postal service. My mail delivery person is a philatelist (stamp collector) and her interest lies on what’s on the outside of the envelope. I’m far more interested in what’s inside!
Figure 1 Notice the tight tolerances and smooth lines between the intersecting parts of the shank (made of bamboo), the accent ring (made of bone), and the bit (made of ebonite).
First Impressions
Inside the padded envelope the pipe was housed in a comfortable leather sock. Light tan in color the leather reminded me of deer-skin leather, soft and supple both inside and out. A dual draw-string closure in a gold/tan color was pulled back to reveal the contents. I reached into the sock to gently pull the pipe out, and it slid out easily, and just kept coming, and coming, and coming! The pipe measures 7.125" long stem to stern. Not a short one to say the least, but every centimeter interesting.
Some first impressions of people are very good ones. Others are not. As first impressions go, this was a very good one. For me what matters most is this: Does the first impression give you the desire to know more? This one certainly did.
When the pipe had shipped from its home in Croatia, I received an email from Domagoj saying that he had included a "surprise" with the package. To my delight, this pipe also included a custom handmade tamper as well. The tamper is longer than most and made from the same beautiful darkened bamboo as the shank of the pipe. The tip of the tamper is turned brushed aluminum and it looked very nice. A welcomed gift to be sure; both practical and beautiful. The package also included a very colorful and well-made information pamphlet with contact information, company information, and specific details about the pipe he had sent. Essentially, the pipe’s pedigree. Interesting, and very well done I might add.
Figure 2 Domagoj created an excellent pipe in this long black, bamboo freehand model. Lightweight and beautiful, it would make any owner proud.
The Sock
I always say that socks are important. They are important not only for the protection of the pipe itself, but also for the grand over-all esthetics of the pipe as a collective ‘package’. This sock worked well both ways.
The sock I learned later, was in fact made of leather – but not deer hide as I had originally thought. This was in fact leather from a Croatian bore (or pig) locally called a "napa". This leather is plentiful and very supple. It also comes naturally in a lighter-brown hue that happens to match this pipe artfully. This is in fact one of the main reasons why Domagoj likes to use this specific type of leather. He points out, "…with its yellow and brown tones, it goes well with wood colors."
Using a dual draw string system like the one on this sock works well, but with the silken chord provided, you’ll probably want to add a slight knot when securing it, as the chord is naturally sleek and tends to come open otherwise.
The Pipe
This pipe is a smooth black bamboo straight Freehand, #84 by his keeping. As a finished package, this pipe brings a sophisticated beauty to the eye. While we have all seen pipes with bamboo used in their construction in one form or another, this one seems somewhat unique. While the bamboo is present, it does not become the center-piece to the eye. The quality of the briar and the pipe’s overall ‘presence’ IS the show.
The darkened bamboo is as classic as bamboo can be, and Domagoj sees its application a learned skill. I asked him directly if the application of bamboo is more difficult. He responded:
"I wouldn’t use term ‘more difficult’, I would rather use ‘little bit more demanding’ and that it ‘takes more patience". The main difference is that with traditional pipe stems, the shank is in one piece. It is usually made of the same material as the rest of the pipe, let’s say briar. If you make a tiny mistake and sand little bit too much, or scratch a wood while sanding the mouthpiece – no big deal, no harm done (in most cases). In these cases, you decide what shape the shank, mouthpiece etc., will be. Nothing is predefined. With bamboo however, situation is a little bit different. You have a bamboo piece which has predefined shape, thickness, and diameter. The shank diameter then is shaped, and has to be adjusted to the diameter and curves of the bamboo. Same situation is with mouthpiece. Everything has to be nice and fluid in the end."
Figure 3 Notice the smoothness and flow between the bamboo, black acrylic accent washer and the stummel. Also, take a look at how precise the forming is on the briar in order to make the contours of the bamboo flow into the pipe itself.
And this pipe flows. Using the eye test, the contours of this pipe are totally fluid. Yet at the same time, every bump or change of material along the way brings contrast – in no way effecting the fact that your mind sees this all as one piece. In that manner, what Domagoj has pulled off is simply amazing. There are no fewer than eight material edges along the pathway from the stummel to the bit, and you are hard pressed to feel, let along see any of them.
Figure 4 Another look at the skilful connection of the contoured bamboo meeting, in this case a bone accent ring, and then the fitting of the mouthpiece (stem).
Domagoj addressed this issue as well:
"(The) tricky part is that the bamboo is somewhat delicate and sensitive material and special care has to be taken in avoiding scratching its surface while sanding pipe parts that attaches to it. Once scratched, there is no going back like with wooden shanks. Engineering is also a little bit different, as I use a stainless steel tube when connecting wood with bamboo."
The stummel is blessed with an array of straight grain gifted to us by the gods of briar. Thick and strong, these grains give the impression of looking deeply into a dark hardwood forest where the tree trunks run mostly true, but with branches that crisscross along the way as we peer deeper off in the woods. It makes you want to reach out and grab them, but when you do you are halted by the smoothest briar surface one might ever feel.
Figure 5 Exciting grain flows north and south on this block of briar. The black stain really releases the structure and flow.
The Finish
I mentioned that one of the things that drew me to Domagoj’s work was the finish of his pipes. They shine like they have been dipped in liquid diamonds in the photos, and are every bit as dazzling in person. This pipe is no exception to that quality but brings more to the table as well. The bowl itself glows with brilliant refractions of just the ambient light, but the rest of this freehand – #84 is in what I’d call a matte (soft) or satin finish. The contract is magnificent.
The nature of the bamboo itself is of a soft, non-reflective surface. The carefully sanded root knots are clearly polished but to a satin finish as well. The bamboo shank extends into the mouthpiece, but not before it crosses an accent ring made of deer bone. With a soft sheen to it, the bone ring is followed by an ebonite mouthpiece that pops perfectly against the natural ‘dirty white’ or antique appearance of the bone.
The contrast stain is black, and leaves the pipe tone to be opaque but dark. While dark in color, the grain is far from hidden and is one of the most attractive features of this pipe.
The Briar
The contrasted striping in the stummel is exciting. When not reaching vertically to get to the top of the bowl to release themselves into mid-air, the grain wraps around the shank exposing an almost birds-eye section reminiscent of looking down into a bowling caldron. This briar is, if nothing else, very interesting.
"The briar I use comes mostly from Italy, and then I also have a certain amount of blocks from Spain and a few blocks of Croatian briar, excavated from the Croatian islands. My friends excavated it and prepared blocks for pipe-making. Croatian briar is somewhat sweeter in taste than the other ones I work with."
Figure 6 A clear look at the deer bone accent ring that melds the bamboo shank to the ebonite stem.
The Bowl
The bowl finish is as smooth as any I have ever felt. Both inside and out. The straight grains flow upward towards the plateau textured rim topping a thick, strong bowl. The inside of the rim has been contoured and polished making it appear as if someone took a large hot tool and melted it. It is an attractive, almost art-deco/Picasso look which I thoroughly enjoy.
There is of course always something natural and beautiful about the use of plateau texturing on a pipe. These structures are not too deep and smoother than some others I’ve seen. Like some sort of massage therapy, running your fingers over the rim of the bowl is satisfyingly soothing – just as a pipe ought to be.
The inside of the bowl is uncoated. Since I always ask, here’s what Domagoj has to say about bowl coatings:
" …less than 5% of my pipes have coated bowls. I don’t like to coat my pipe’s bowls, I never have liked it. The only time I coat my pipes is if (the) customer demands it, or in cases where I make some rusticated pipes with thinner chamber walls, and then only if stain penetrates thru in the tobacco chamber itself. It looks kind of messy, and people don’t want to see that when they are buying a pipe. If stains are an issue, such a pipe will be coated, but mainly (not) for the protection of the wood."
I like the look of a finished pipe with bare wood of tobacco chamber. I like to see that sharp edge where the stained and glossy polished exterior crosses to unstained and bare wood look of interior. Sometimes it is a little bit more work to make this line nice and neat, but for me it is totally worth it!
Nowadays, a lot of conversations are going on about bowl coatings, on forums, magazines and blogs. I prefer a bare wood tobacco chamber pipes for my collection, and I like to "raise" (break-in) this pipe in the way I want it. But if I can choose it – uncoated please!
Figure 7 I love the look of the natural plateau texturing on the rim of this bowl. The contrast between it and the smoothness of the bowl makes it look like melting chocolate.
On Creativity
One thing I like to ask the pipe crafters is how this particular pipe came to be. It gives us a window into the soul of the crafter – a glimpse at how the process begins in their creative stages, before tools hit briar for practical application.
"With every pipe I make, I usually have some shape in mind and I start looking for (the) right piece of wood for that shape. In many occasions the pipe in my mind won’t end up looking exactly like what I had envisioned, because I let the wood speak what it wants to be shaped like. For me, it is far more important to make a pipe that will have (the) shape adjusted to (the) wood grain then to make a pipe that will have exactly the right shape that I originally imagined – regardless the wood grain. It is kind of forcing it, and I don’t do that. On this pipe it is the same thing, the briar itself determined how it would like to be shaped. Although, it could be shaped in many different shapes with this type of wood grain, I decided to make it like as you see. You can say that it in this case is half/half; the briar showed me in what direction to go, and I decided what final shape I will make."
Allowing the grain to speak the direction it wishes to go may not always produce the desire of the crafters heart, but it almost always produces exquisite pipes that excel at showing off their natural beauty. In the case of the Bamboo Freehand #84 from Dotter pipes, Domagoj’s decision is self-evident success.
Smoking
This pipe is as practical as it is esthetic. The bamboo not only reduces the weight compared to pipes of similar size (especially of this length), but it increases the WOW factor by tenfold. I will often lay my new pipes on my desk at work to see what sort of attention they draw from passersby. This pipe, by far and away, drew the most attention of any new pipe I had put out for all my coworkers to see.
My day job is not in the pipe smoking or tobacco industry so I cannot say that the impression it made on the crowd was necessarily a well-informed one, but that is not the point. The point is that this pipe made people stop and ask about it. They wanted to know who made it, what the materials were, and were all equally thrilled and impressed not only with the use of the exotic materials, but with the feel and finish of the product. If the goal was to make a pipe that was attractive to people – spot on. This pipe did it in spades.
Filling and lighting went without incident. When handling the pipe one does not feel, despite the lightness of the unit, that the pipe is insufficient in mass, nor is it unevenly balanced in the hand. I’m a bigger guy and I like large pipes. They fit well in my hands, and they look appropriate when I’m smoking them. But this long lightweight pipe is as comfortable in the hand as it is in the mouth.
The stem is smooth to the touch and has a substantial bit that is equally soft in the mouth. I have had pipes in my collection before that were wonderful pipes, but had bits on the stems that were, for lack of a better term, simply abrasive. This piece is just perfection! It almost feels like the stem and bit are melting in your mouth they are so soft and smooth.
The smoke of the Molto Dolce aromatic from Sutliff Private Stock, despite being moist, rolled through that long bamboo shank, cooling along the way and meeting my palette with loads of flavor and no bite. The cooling benefit to a long shanked pipe I suppose, and it was not lost on this smoker.
Conclusions
I have never seen a pipe ‘packaged’ so well. It was exciting to open! Reading the pamphlet about my pipe and the works produced by Dotter pipes was as exciting as smoking it. Seeing the hand-written notes about the pipe from its creator, allows the new owner to bond with the man behind the creation. It’s fun, and it builds relationships that will last and make a difference in the pipe smoking community.
I still keep going back to the finishes on the Dotter pipes. Brilliant, deep and honest – in other words, come by through hard work and dedication, not through means of temporary trickery. This pipe exemplifies Domagoj’s attention to detail and desire to impress, but went even further by showing that the crafters skills are not just in polishing, but "finishing" the pipe with the best look befitting.
Smoking this bamboo beauty was a true pleasure. I can only imagine that any customer obtaining a pipe from Dotter Pipes will be equally impressed.
Tom Spithaler is an Award Winning PSEA writer and member of the American Press Association who has cut his professional teeth in the outdoor and firearms media. Tom currently operates Born Again Briar, a small pipe sale and restoration business, blogs at www.briarmeditations.blogspot.com, and operates Spithaler Media Services, a dba of Paraklete Consulting Services, LLC. A husband of 20 years and father of three, Tom currently resides in Bonney Lake, WA. Contact: tom@bornagainbriar.com. |
Written by Kevin Godbee
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Welcome to The Pipes Magazine Radio Show Episode 634! Our featured interview on tonight’s show is with Warren Ertle. Warren is an extremely accomplished musician with a PhD in music. He started early as a percussionist in sixth grade. Later his grandmother got him a cheap Casio keyboard which he taught himself to play. He started playing in blues bands in high school, and has been a pianist with jazz big bands for years. Even though he was already a professional musician, he took his first real piano lesson when he enrolled in college with his studies in classical music. He is of course a pipe smoker. At the top of the show we will have an Ask the Tobacco Blender segment with Jeremy Reeves. Jeremy is the Head Blender at Cornell & Diehl, which is one of the most popular boutique pipe tobacco companies in the USA.
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Or the wild turkeys gobbling in the backwoods or all the fuss and feathers over the big one—Christmas. No, it is that we might need to take note of all the little things that mean so much to us. Like a good sunrise (seriously, Pundit has not gone all Pollyanna.) Mayhaps we need to appreciate more of what we have than what we have not. Or something like that. Like, a good pipe in the morning with coffee as the dawn brings us coolish weather now that we have flipped the calendar to autumn. But it also brings beautiful leaves that have become a spectacle of technicolor in the wind. It is the little things. The rereading of an enjoyable book and finding something you did not see or learn in the first go-round. Or a stunning phrase you commit to memory with the re-read, while smoking that favorite pipe. And you notice a superior puff that just seems to be different. It’s in the air and the seasons of meaningful little things. It’s aromatic! 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Well there’s nothing like a touch of the plague to usher in the changing season. Leaving the airport just when the first advertisements for all things pumpkin spice began to appear—lattes, muffins, shampoos, trash bags, and myriad other concoctions—so, too, my ability to breathe freely disappeared. The unfortunate side effect of losing one’s sense of taste and smell for weeks is the utter inability to enjoy tobacco. Not that I consider myself an expert on anything but my own tastes, but be forewarned that this review was made with mildly impugned sensory equipment. Just when a comforting pipe was most needed, its comfort was denied. Be that as it may, the road to recovery found me limping along on one lung this past month, trying to wrest the particulars of two blends on offer from Sutliff: the latest 175th Anniversary blend, Silver Quarter, as well as their spooky seasonal Maple Shadows II. Silver Quarter is a new style on offer from Sutliff, their first coin-cut blend. 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Vegas Baby The show started out strong on the 14th floor hospitality suites hosted by the Vegas Pipe Show and Smoking Pipes as well as room hopping to carvers, estate sellers, and vendors to pre-game for the festivities. If you’re interested in what that looks like I’ll refer you to last years pipe show round up. I circled with Brian Levine to get the totals in comparison to last year: This year’s show numbers: 108 Exhibitor tables, 445 attendees, 3,250 Raffle Tickets, 100ish dinners, 172 Rooms in the Hotel. Last year, by comparison, 107 exhibitor tables, 425 attendees, 2,200 raffle tickets, 104 dinners, and 175 rooms on Friday and Saturday nights. We were at capacity, basically, when it came to vendor tables and the dinner, so there is no physical room for growth at this point except for attendees. That said, we filled that smoking lounge to the brim. New Carvers Spotlight Garret Woo (Pipes by Woo) How long have you been carving? Garret: I’ve been carving since 2021, and I’m guessing your next question is probably how’d you get started carving? James: Yes. Garret: In 2021 I took a break from my full time job – that included machining and assembly work and I thought maybe it was time I made something that I would like and I started looking at youtube and Instagram and putting together my shop. I did struggle on the stems to start and there was a lot of failure at the beginning. James: How many pipes have you made so far? Garret: I number my pipes, so I just finished up 186. James: What is your favorite shape you’ve been making? Garret: I really dig Canadians and pipes with longer shanks and lovat Canadian blends. I like to play with different shapes of stems on the longer shanked pipes. The billiard would be my go-to shape but I want to learn more techniques on freehanded shapes. I like to put brass and copper adornments on my pipes with my machining background it helps. James: What is the craziest thing you’ve seen at this show? Garret: The first thing that comes to mind is the table over there with C-Pipes with the shapes and the size and petiteness and the intricate details they did. You can check out what Garret is working on by going to his Instagram. Stefan Cashwell James: how long have you been carving? Stefan: about 3 years. James: What’s the craziest thing you’ve seen at the show? Stefan: The Adam Davidson pipe with the clear shape and the bamboo—I don’t know if it’s 3D printed or what, but it’s amazing. James: What’s your favorite shape to do? Stefan: That’s a tough question. I think they’re all the same shape, but what’s fascinating is that Dublin, volcano, and blowfish are all the same depending on how you turn them. Playing with that, with all its variations, is a lot of fun. My favorite accent to use is also horn; it’s finicky, but it’s a great accent on pipes. You can check out Stefan’s work on his Instagram. Science: Meet Pipes I chatted with Chris from the San Diego Pipe Club; he started off doing stem replacements for estate pipes but also improved the airflow. James: How are you doing 3d printing? What is the thought process? Chris: It’s a 3D-printed pipe with a briar insert. The design is a calabash meets a Peterson system meets a metal Falcon/Kirsten radiator style. It is a bottom draft smoking bowl like a radiator like those metal pipes. The inside chamber is a calabash. The stummel and accent rings in the stems are all 3d printed. The insert is briar, olive wood, or I have the potential to use meerschaum as well. This idea came about through the San Diego Pipe Club, wanting to see if we could 3D print a pipe and being curious about the technology; I have a printer and design ability, so here we are. James: What’s the type of plastic you’re using? Chris: It’s all PLA plastic, a renewable potato starch plastic that is food-safe. The stummels are printed with a plastic that has wood in it 40% wood fiber, bamboo, rosewood, ebony, redwood, and walnut are the woods I’m printing. For the accent rings I just got a new material that I’m printing that has 40% copper, so its real metal that you can sand, and polish the same as wood filament. The stems are 3d printed as well. The concept is renewable and cheap from a production standpoint, with the ability to make a very high quality smoking pipe based on the experience. By combining the calabash system pipe and bottom draft hole and using 3d simulations to see airflow, I can see where I’m having eddies and ripples in my current, and see where my moisture and all the particles are dropping back out from a vapor to a liquid. Most people who have tried these say the stems are clean, and they don’t even have to run a pipe cleaner afterward because everything collects at the bottom. Chris has also been experimenting with color-changing plastics so you can see the hotspots. Chris said he was able to use this to slow down his cadence, which, of course, could mean you could get a slow-smoke training pipe to teach yourself to perform better. If you’re interested in learning more or want to check one out, you can contact him on Instagram: Copper Beard Pipe Works The Negative Space The show was buzzing about one specific pipe, which had everyone guessing how it was made. I chatted with Adam Davidson briefly about it. James: How did this idea come to fruition? Adam Davidson: Smokingpipes.com had an expo back in August open to all of the makers they carry. The theme was to make a pipe utilizing bamboo. Given that the last time we had the expo I made a smooth Almond with three bamboo shanks, […]
An exceptionally well-written article that pays due respect to the pipe and the artisan who created it. You drew us in with what the impact of the fall of communism had on you; loved how you did that. I particularly enjoyed the quotes from Domagoj Telisman himself — this is so important — too often it is just given the passing nod, or just ignored. Thanks Tom, a terrific article about a truly outstanding pipe.
That was an exciting and very interesting read.
I’m not generally a fan of bamboo use in pipes.
In this case; I have to admit, that is one beautiful piece of functional art.
While as fortunate as we are these days, with the quality and availability of top shelf pipes, it bodes well for the future that the bar is continually being raised by such talented craftsmen.
Oft times the word artisan is overused (IMHO); especially when speaking of the many fine pipe makers crafting pipes today…
But, not in this case.
Thank you Domagoj for adding a bit of beauty to our world.
And to you as well Tom for the excellent article.
Great review of a beautiful pipe! I usually don’t care much for the look of bamboo shanked pipes but really like the way the bamboo on this one is darkened and the contrasting root knots along with the white ring make it visually appealing.
Thanks for a wonderfully written and beautifully illustrated article about an amazing pipe. So far, every article, and every pipe, has been a gem. Keep ’em coming!