I actually don’t really know. I mean, I have some vague idea, more of a guess, a sort of order of magnitude dart throw. I swear, this isn’t a point of pride or some kind of bench racing brag, but rather something closer to embarrassment. As I wander through the boxes, racks, pouches, bags full of pipes, in an attempt to 1) get them into a semblance of order, and 2) think about thinning the herd a little, it’s feeling a little daunting. Worse, it’s not the first time I’ve been through this, and I’m afraid it might not be the last.
It all began at a time when I would answer the question, “How many pipes do you need?” with the ever so witty, “Just one more.” I know I’m not alone there. I sometimes feel like there should be a twelve-step program for the pipe acquisition afflicted. But, they’re such compelling little things; tiny works of functional art, where the beauty of the wood and the skill of the maker come together to yield something that’s too often hard to resist.
I easily recall my early days as a young pipe smoker, enthusiast, burgeoning collector, fanatic, whatever I was at the time. I was full of wild enthusiasm towards building up a good collection. It began with just wanting a nice seven-day set, so I could let my pipes rest a week between smokes as I was told was necessary for optimal smoking. That happened fairly quickly, though my seven pipes weren’t all anything to be truly proud of. Then, I wanted enough pipes for two weeks, because I began to think that if one week of rest was good, two would surely be better. After that, it really did seem a good idea to have different pipes for different types of tobacco. (I still adhere to this notion fairly strictly.) And, then there should be smaller pipes for shorter smokes, larger ones for the longer, leisurely periods. See where it starts? When we’re told that a seven-day “set” is an almost necessary practicality, at least if we’re going to truly enjoy smoking a pipe on a daily basis, “they” might as well give us the first one free. The seven-day, at least for me, quickly revealed itself to be a gateway drug, leading me by the hand down a dark corridor to a much more sinister affliction.
So, thus disordered over the years, I’ve found myself collecting brands, makers, pipes from specific countries, shapes, finishes – if there’s a way to categorize pipes, I’ve probably at some point had a sub-collection specializing in that particular categorization. I’m a pipe nerd; things like this are bound to happen. At some point in the journey, I had the bizarre notion that if I ever were ever to reach 100 pipes, I’d surely have enough, and I could stop looking for new ones. Or, perhaps better still, the collection could remain at or near that figure by careful selling and trading.
This delusional strategy worked just fine. Until it didn’t. The collection continued to grow. More and more of the pipes in my collection began to take on some sort of emotional value. I’ve mentioned in the past that pipes can be talismans of events, or even more importantly, of people. Recently, I was reminded of an old friend who sold me a very special Castello 55 from his own collection. He is no longer with us, but that pipe will always remind me of him, of his vast knowledge, freely shared, of Castello pipes.
I now have a lot of pipes like that. Some of them I smoke regularly, and the idea of parting with them never even occurs to me. Others, I don’t, for whatever reason, but when I think about putting them on the block, they whisper their stories in my ear, and back they go until the next round. The century mark has long ago come and gone. A bunch of years ago, I was fairly successful in weeding the garden a bit, selling off quite a few, and feeling quite proud of myself for thinking that, just maybe, I might once again find 100 pipes in my collection, this time coming at it from the other direction. I’m sure it’s no surprise that this hasn’t happened.
What’s wrong with having so many, some would say too many pipes? It’s hard to find an answer I can really live with. I suppose perhaps the worst thing is that some of them, even the special ones, might be too-long ignored. Maybe this isn’t really a bad thing. Once in a while, there’s the opportunity to rediscover some old gem, listen again to the stories it might tell, put it into rotation for a while, and experience it all over again. Maybe it’s just keeping track of everything amidst my disorganized chaos, or finding suitable ways to display them all, while keeping them clean and dusted, or just finding them if they’re bagged up in their fancy leather gloves. Maybe it’s just me fostering feelings of excess, latent notions of decadent overindulgence. I should talk with my therapist about that. What I do know is that no matter how, or how many times I examine my “condition,” the same conclusion persists. I have a lot of pipes, and it’s highly likely that this will not only be an enduring condition, but it’s probably only going to get worse.
There are times when a particular piece just stops speaking to me, and even that can be a problem. In the past, I’ve too hastily sold off or traded a piece that no longer felt special, only to years later regret parting with it, wishing I’d kept it. Or worse, scouring estate pipe offerings looking for it, or at least a suitable stand-in. There was this lovely old Charatan Executive, you know, and a pair of Larsen bulldogs, one straight, the other bent, that were different from any seen before or since, and that Royal Stewart rhodesian that wasn’t much to look at, but smoked like a dream, or that little Dunhill Shell bulldog from the 20s that was such a treasure…
Despite all this, I do find myself, again, going through the process of revisiting pipes, smoking them, finding the ones that speak to me, and the ones that don’t. This never goes quite as planned. Intellectually, I know the “collection” is just too big, and I really do need to make some deep cuts. But, this isn’t an intellectual pursuit, is it? There’s the emotional dimension to consider, so most of the candidates for culling are not going away just yet. Instead, I’ll sequester them in a place of their own to give me time and space to think it over. I’m sure this will not be an easy job.
I’m equally sure that during this time, other pipes will find their way into my hands, making the whole process seem almost futile. But, I still feel like I’ve got to do it, so wish me luck.
I suppose this is the point when I stand up, say hello, state my name, and admit that, “I am a pipe collector.” Yeah. Like that’s a surprise…
Wow! Was this ever too familiar turf. I have “stopped” buying pipes in the sense that the pipe would have to be one of my white whales or no sale. So far, in the past several years, I bought 3 pipes. That’s certainly improvement from when I was buying something new and interesting a couple of times a month.
It’s like quitting cigarettes. I never said “this is the last one” I just told myself that I “wouldn’t buy another cigarette until I really wanted one” and that was 40 years ago and I haven’t had a cigarette since. Pipes, on the other hand are a much more complex and interesting pursuit. But having 150 of them just seems very extravagant, and has resulted in this decision not to buy unless it’s a white whale, and fortunately there are precious few of those.
In any event, really enjoyed this article and thank you for writing it.
Thanks for your thoughts, Jesse. I know what you mean about extravagance and white whales, but for me, it’s also more than a small dose of SOS, “shiny object syndrome.” I see too damned many pipes I just plain want…
Solid article Greg!
“ More and more of the pipes in my collection began to take on some sort of emotional value. I’ve mentioned in the past that pipes can be talismans of events, or even more importantly, of people. Recently, I was reminded of an old friend who sold me a very special Castello 55 from his own collection. He is no longer with us, but that pipe will always remind me of him, of his vast knowledge, freely shared, of Castello pipes.”
So many of the pipes in my collection come with memories of collectors and the great collections they came from.
Thanks, Dave!