Musings on Pipe Clubs and Pipe Sizes
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G. L. Pease - Nov 13, 2023
- 5 min read
Saturday, I spent a wonderful day at Ohlone Cigar Lounge in Fremont, CA, sharing the stage with the ever charming Joe Fabian, who was doing a “Trunk Show” of Savinelli and Peterson pipes, which evolved into being as much of a pipe club experience as it was a sales event. It was a great opportunity to spend time with a bunch of folks talking about pipes, tobacco, food, cars, the joys of rigid-frame mountain bikes, and pretty much anything else that came up. To me, this sort of fellowship is one of the best things about pipe gatherings, and I certainly look forward to doing more in-store events in the future!
At one point some of us had a conversation about why we tend to prefer one size or bowl shape to another, and we all had different views to share. Some choose pipes for their weight or their balance, others for their aesthetics, still others for capacity. This got me thinking about my own collection. While some may have very specific criteria, and their pipes exhibit a certain sort of “sameness,” my collection exhibits a pretty broad range of shapes and sizes from tiny to cavernous, and each has its place. For me, choosing the pipe I want to smoke is often as much a practical decision as it is one of whim and whimsy.
On the practical side, one thing that often comes up for many of us is whether or not there is time to spend with a large bowl. For me, a certain irony arises in that decision process all too often; I think I don’t have time for a long smoke, but end up burning two small bowls instead, consuming as much time as the larger bowl would have, if not more.
My whacky brain is now swirling with something almost too geeky to discuss, but I’m going to anyway. If you had, let’s say, a finite amount of tobacco and wanted to maximize your smoking time, would you be better off with smaller bowls or larger ones, especially wide, squat bowls vs. narrow, tall ones? How would you choose which pipe or pipes to smoke?
Tall, narrow bowls filled with the same weight of tobacco seem to have a slight edge over wide, squat ones, at least with respect to time alight. As an informal experiment tonight, I chose a Castello 55 weighing in with a chamber diameter of 23mm and depth of 35mm, and my Sea Monster bent, with its 18mm x 53mm chamber. I chose these two because they are both exquisite smokes, and have similar chamber volumes.
Each was filled with the same 2g weight of a VA tobacco, packed with a gravity fill followed by a very light tamp. The Castello gave up after 32 minutes. The Sea Monster lasted 40. I guess if you were stranded on that often discussed island, and maximizing your smoking time was an important consideration, you’d be better off with the tall, narrow bowl.
But smoking time is certainly not all there is to consider in selecting a pipe to smoke; other differences are at least, if not more important, especially if maximizing enjoyment is the intention. Not surprisingly, the taste of the same tobacco from each of these two bowls was quite different. The smoke from the pot was a little sweeter, a little more complex, while the taller bowl delivered a brighter, more zesty flavor. In this case, both were delightful, but that hasn’t always been true.
Is there such a thing as “the right” bowl geometry for any given tobacco type? Opinions are as varied as we are, but for me, flakes tend to sing in wider bowls, delivering nuances of flavor that can be somewhat attenuated in a narrow one. Yes, this is counter to the “conventional wisdom” that pipes with narrow, tapered bowls are “Flake pipes,” and large bowls are better suited as “English mixture pipes.” Though I’d never question another’s preferences, I’m comfortable taking the contrarian position here with respect to my own.
Years ago, when I was developing my first VA/Perique flake, I did what I always do, and smoked the prototypes in a variety of bowl geometries. One of the pipes I chose during my exploration was a GBD 9493, a lovat-like pot with a wide aperture and conventional billiard height. The tobacco took the center stage spotlight and sang arias in that pipe. Since, I’ve repeated the experiment many times, always with the same result. If you want to experience everything a flake has to offer, try it in a pot. Wide bowls also offer something to the burly aficionado, bringing out some of the more subtle nuances of that leaf while keeping the smoke cool.
Things get perhaps more interesting when it comes to bowl height. Since tall bowls tend to concentrate more of the distillates that form when tobacco burns, they can be both harder to keep lit at the bottom, and can intensify some flavors. This can be a good or a not so good thing, depending on the tobacco type, and the smoker’s preferences. I love shag cut tobaccos in tall bowls, while flakes are just too often challenging.
Too, I find that fuller latakia mixtures deliver their best in medium and smaller bowls. This might have more to do with “palate fatigue” than the smoking dynamics of a particular pipe’s bowl geometry. (Truth told, unless I’m really focused on the process, I rarely could be considered a “slow smoker,” and as my cadence rises, so does the intensity of some of latakia’s less friendly characteristics, especially as the bottom of the bowl is reached. Combine that with a tall bowl, and my tongue just gets fuzzy.) But, I’ve known many who enjoy gigantic bowls of heavy lat-bombs.
Maybe this is one reason the “conventional” medium billiard bowl is, and has always been so popular. It’s kind of the middle-ground – not too tall, not too wide, and does pretty well with whatever it’s stuffed with. I’ve got no conclusions to offer, but instead the suggestion that there’s a lot to be said for breaking with convention, coloring outside the lines, experimenting with different bowl sizes and shapes, and how they affect different tobaccos within the context of our own smoking experience. Tall or short, wide or narrow, the only take-away, at least to my late night, nicotine addled mind, is this: as much as we enjoy exploring different blends, it might be fun to give some thought to exploring different pipe shapes along with them. It’s a big world out there.
Written by G. L. Pease
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There’s a pipe in my collection that I cannot bring myself to smoke, though I’ve had it for more years than I care to recall. It’s old, or shall I say, well experienced; that experience, that oldness came to it long before it was in my possession. The pipe is an old Comoy’s Grand Slam from the 1940s. The shape (#93), a slightly canted, stack billiard (sometimes referred to as a Belgian) is right up my alley, and it’s a beautiful example of it. It came to me with some wear and tear; nothing unusual for an old pipe, but more the signs of one that has been well loved, smoked a lot, treated as a favorite tool, cherished, in a sense, by frequent use. It’s the pipe equivalent of a vintage car that’s been driven a lot, enjoyed fully and maintained adequately, rather than one kept in a spotless garage, dusted and detailed weekly, brought out only for leisurely Sunday drives, or to be ogled behind the ropes at the next Concours d’Elegance. When it arrived, those uncounted years ago, it wanted a little restoration. Nothing dramatic needed to be done to it, but the stem was oxidized, the finish a little dingy. The cake was even and fairly thin, and the airway was relatively clean, both signs that its previous owner cared for it, but the bowl’s surface was a little drab and dull. It took little effort to reveal its beauty, to show the lovely contrasted stain and interesting grain beneath the old wax. I often think I should do before and after photos of pipes that I work on, but those thoughts always come after the work’s been done. This one would have been a great illustration of how years of handling that can sometimes make a pipe more beautiful, can other times make it just look grungy. Once I’d cleaned up the externals, it was time to address the inside bits. I approach this a little bassackwards, I realize. It would be more sensible to take care of the inside before addressing the outside, but it’s how I roll. If an old pipe isn’t pretty to look at, it’s unlikely that I’ll care much about it, and cleaning is usually the hardest part, or at least the most boring part of any restoration for me. Alcohol and pipe cleaners. Lots of pipe cleaners. That’s why I leave it for last. Sometimes, I’ll even give a pipe a test smoke before a deep cleaning, just for a point of reference. I gave it a sniff to get an idea of what I was up against, and it stopped me cold. There in that bowl was an aroma that I had not smelled in decades. My head was instantly filled with memories of being in the back room of a fabled Berkeley tobacconist’s shop where I stumbled upon a few jars of long discontinued blends. One of them, a blend called Forty and Eight, had the most engaging and unusual scent of any tobacco I’d stuck my schnoz into. It was sweet, but not in a candy store way. There were none of the usual vanilla, cherry, berry or anise notes of typical aromatics, nothing that could be compared to aftershave or deodorant soap, but something almost musky, a little earthy, something exotic. The shop’s owner couldn’t tell me what was in it, how, or where it had been produced. The old blend had been retired before he’d bought the place. The printed catalogue gave no clues, either, other than being overprinted with the word “DISCONTINUED” in bold, rubber-stamp type. (And, I don’t recall it as being “highly aromatic” as the description indicates.) There was still quite a bit in the jar. Being, at that point, an intrepid explorer of all kinds of tobaccos, whether I thought I’d like them or not, I had to give it a try. It was burly based, but also comprised a good measure of virginia leaf, and maybe some other varieties; I didn’t have enough experience at the time to really pick it apart. But, that aroma was unlike anything I’d experienced before or since. 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It revivified a long dormant memory that is mine, and mine alone, and that’s enough. I keep it in a drawer with other old English pipes. In some ways, it’s nothing special, just a nice old pipe. I don’t lavish it with any particular care that arguably befits the hidden treasure that it holds. It’s not in a special box, or displayed preciously in a glass cabinet. Every once in a while, I take it out, point my nose bowlwards, and every time, those memories return just as powerfully as they did the first time. I have no idea how long it’s been since its last owner smoked it, but in the years I’ve had it, there seems to have been very little degradation of the aroma, and that’s […]
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Welcome to The Pipes Magazine Radio Show Episode 634! Our featured interview on tonight’s show is with Warren Ertle. Warren is an extremely accomplished musician with a PhD in music. He started early as a percussionist in sixth grade. Later his grandmother got him a cheap Casio keyboard which he taught himself to play. He started playing in blues bands in high school, and has been a pianist with jazz big bands for years. Even though he was already a professional musician, he took his first real piano lesson when he enrolled in college with his studies in classical music. He is of course a pipe smoker. At the top of the show we will have an Ask the Tobacco Blender segment with Jeremy Reeves. Jeremy is the Head Blender at Cornell & Diehl, which is one of the most popular boutique pipe tobacco companies in the USA.
Soon now, supposedly, our neighborhoods will shift from grinning pumpkins, skeletons in various assortments, and zombies dashing about to pretty reindeer, angels, and flashing lights illuminating homes with sparkling stars and laughing, scurrying Santas. But, lest we forget, there is the turkey season, fancy pie aromas wafting from kitchens, and a national pardon of a big Tom Turkey. Remember, now, that only one of these holiday personalities is a pipe smoker. And that is the hefty, bearded fellow in a bright red suit sitting in a sleigh with a herd of deer hitched up and ready to streak across the globe, bringing tidings of joy and many presents. Ok, the scene is set for the next couple of months, right? So, before we get too far off the beaten path, let’s just take a deep breath of fresh autumn air, shall we? Ahh. That’s better, isn’t it? What’s got the Pundit in a snit is not all the Halloween spooks who came a-jostling for candy. Or the wild turkeys gobbling in the backwoods or all the fuss and feathers over the big one—Christmas. No, it is that we might need to take note of all the little things that mean so much to us. Like a good sunrise (seriously, Pundit has not gone all Pollyanna.) Mayhaps we need to appreciate more of what we have than what we have not. Or something like that. Like, a good pipe in the morning with coffee as the dawn brings us coolish weather now that we have flipped the calendar to autumn. But it also brings beautiful leaves that have become a spectacle of technicolor in the wind. It is the little things. The rereading of an enjoyable book and finding something you did not see or learn in the first go-round. Or a stunning phrase you commit to memory with the re-read, while smoking that favorite pipe. And you notice a superior puff that just seems to be different. It’s in the air and the seasons of meaningful little things. It’s aromatic! 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Welcome to The Pipes Magazine Radio Show Episode 633. Our featured guest tonight is Jon David Cole. JD is the Owner/Tobacconist at The Country Squire in Jackson, MS, and the accompanying online store. We’ll have JD and Brian talking about what’s new at the store and in the business in general. At the top of the show, Brian will discuss tobacco growing, what happens to the leaf, and provide updated information on where tobacco is being gown today. Tobacco production originated in the United States and we were once the #1 producer. It’s quite different now.
