On a recent thread, I asserted that the bowl on the Savinelli 404 Yacht, which has what I call a Dublin bowl, and a horizontal oval shank, and a slightly bent stem. It has a Dublin bowl, that is a conical bowl. But it is so subtle, and tapers downward so little, I had to get out a ruler to make sure.
It turns out the out rim of the bowl is a quarter inch wider than the bottom of the bowl before it rounds off to complete the bottom of the bowl, but taper it does. Visually, with great subtlety, it is conical, which is one of the oft described traits of the Dublin shape. However, looking further, and sticking my finger into the chamber, I found that if the chamber narrows, it is even more slight than the taper on the outside of the bowl.
Visually, I think the bowl is conical, as the ruler says when it's measured. But this illustrates how fine are the points of shapes so that I'm never entirely convinced of what I'm seeing.
I have a Ser Jacopo Dublin, an artisan pipe of course, that is equally subtle. The brim is wider than the base, but you have to study it to decide that it is.
Part of the art of shapes is that they are often nuanced, right at the edge, to some degree in the eye of the beholder. But I try to get it "right" as possible, when I can.
It turns out the out rim of the bowl is a quarter inch wider than the bottom of the bowl before it rounds off to complete the bottom of the bowl, but taper it does. Visually, with great subtlety, it is conical, which is one of the oft described traits of the Dublin shape. However, looking further, and sticking my finger into the chamber, I found that if the chamber narrows, it is even more slight than the taper on the outside of the bowl.
Visually, I think the bowl is conical, as the ruler says when it's measured. But this illustrates how fine are the points of shapes so that I'm never entirely convinced of what I'm seeing.
I have a Ser Jacopo Dublin, an artisan pipe of course, that is equally subtle. The brim is wider than the base, but you have to study it to decide that it is.
Part of the art of shapes is that they are often nuanced, right at the edge, to some degree in the eye of the beholder. But I try to get it "right" as possible, when I can.