One of the attractions to pipe smoking is the phenomenal variation available both in pipes and in tobacco. I never realized that Pipes and tobacco were such a worldwide and complex pastime.
We see blends made famous by blenders and by celebrities or just plain Old Joe Krantz by the hundreds or more.
We also see an unlimited variation in pipes with which to enjoy this tobacco. Some of the factories or carvers have become identified or lauded by one particular shape or feature.
When I think of Castello, for instance, my mind immediately pictures two things. That white bar on the stem, and a shap#55.
A Dunhill is probably the love or hate marque of pipes and I think of Shell briars, cuz I have one, and billiards because Dunhill to me was traditional.
Ropp made the Cherrywood.
The Greeks gave us Meerschaum.
The Danes gave us Freehands.
And, from Missouri, we get Corn Cobs!
We get Latakia from the Middle East.
We get all sorts of tobacco from all over the world, but most of it is from the USA in the form of burley or VA.
Can you relate to this concept of identification via point of origin?
We see blends made famous by blenders and by celebrities or just plain Old Joe Krantz by the hundreds or more.
We also see an unlimited variation in pipes with which to enjoy this tobacco. Some of the factories or carvers have become identified or lauded by one particular shape or feature.
When I think of Castello, for instance, my mind immediately pictures two things. That white bar on the stem, and a shap#55.
A Dunhill is probably the love or hate marque of pipes and I think of Shell briars, cuz I have one, and billiards because Dunhill to me was traditional.
Ropp made the Cherrywood.
The Greeks gave us Meerschaum.
The Danes gave us Freehands.
And, from Missouri, we get Corn Cobs!
We get Latakia from the Middle East.
We get all sorts of tobacco from all over the world, but most of it is from the USA in the form of burley or VA.
Can you relate to this concept of identification via point of origin?