The Pipes Magazine Radio Show – Episode 41
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- The Pipes Magazine Radio Show – Episode 41
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Kevin Godbee
- Jun 27, 2013
- 1 min read
Kevin Godbee
Thank you for joining us for The Pipes Magazine Radio Show—the only radio talk show for pipe smokers and collectors. We want to thank you for listening and being one of our loyal 15,000 weekly fans. Your host is Brian Levine and in tonight’s “Pipe Parts” segment he will talk about the Dublin pipe shape. The Dublin shape was the focus of The American Carvers Contest at the Kansas City show last week, and Brian has some interesting observations about the pipes that were entered. Tonight’s featured guest interview is with Kris Barber of Edwin Pipes. Kris started out refurbishing pipes, and then started making his own quite eclectic assortment of unique shapes and sizes. I met him at the Chicago Pipe Show last month. He seemed like an interesting guy, so I asked him to do an interview with Brian.
Tonight’s show is sponsored by SmokingPipes.com, Missouri Meerschaum, 4noggins.com, and MeerschaumStore.com, Please give them some consideration when making your next pipe or tobacco purchase.
We hope you enjoy our 45-minute show produced just for you—the pipe smoker and collector. The following link will launch a pop-up player. Alternatively, you can download the show in iTunes after the initial broadcast is complete here.
Edwin Pipes Rustic Freehand – See More at EdwinPipes.com
Written by Kevin Godbee

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Welcome to The Pipes Magazine Radio Show Episode 651. Our featured guest tonight is Glen Whelan. The first time we had Glen on he was the Director of Sales for Peterson of Dublin. Now he is the Managing Director. Peterson is a family tradition for Glen. His father worked in the factory for 50 years, eventually serving as Factory Manager. Although Glen now serves as Managing Director, he started as a part-time retail associate in the Peterson store at the age of 16. After more than a decade in Peterson retail, Glen joined the sales team in Sallynoggin, and kept moving up from there. At the top of the show, we will have another edition of the virtual tour of Brian’s pipe collection with four more pipes that are not the usual shapes and styles that he collects.
This might strike some of you as weird, but I think I’m in a time warp. On a recent trip to South Carolina, I looked for the old-time bricks-and-mortar pipes and tobacco shops. I know there were some somewhere, but nary one did I find while driving around in a couple of shopping districts. Oh, there were a plethora of vape shops. But tobacco pipes bricks-and-mortar shops are more to the Pundit’s notions. Now, before you run out to the nearest shrink and send them my way, this was not the only strange oddball occurrence. I covered the legendary Masters golf tournament in Augusta, Ga., four times, back in the day. So, while I was so close to the famed course during my South Carolina sojourn, I visited Augusta, Ga., and decided I would drive down the beautiful Magnolia-covered lane to the main area once more. The trees, planted on both sides of the road to the clubhouse, are 175 years old, according to Master’s history. Nope, didn’t get to do that either. It’s a private club, I was told by a half-smiling gate guard manning a far-away entry from the main gate entrance to the famed golf course at Augusta National. Yes, dear friends, the times are a-changing. No trip down memory lane for an old sports writer, and, sadly, pipes and tobacco stores were difficult to find in the once great state of tobacco barns and tobacco fields. Ok, sorry for the old-fashioned rant. On to more important thoughts. Usually on International Pipe Smoking Day, I pull out a vintage tobacco blend from the cellar and fill up a classic old friend. I began reminiscing this IPSD about my beloved pipes and tobacco cellar. So, I hauled out a couple of my favorites along with an aging Mason jar of Virginia, Latakia with a dab of Orientals. It was a rare delight for an old-fashioned pipe and tobacco day. When you are puffing your pipe in the fluffy ease of an afternoon, all worries seem to fade away. More pleasant thoughts arise, like a puffy cloud of pipe smoke. I looked up a recent column by Chuck Stanion in his “History of International Pipe Smoking Day February 19, 2021, in SmokingPipes.com’s Daily Reader and Tobacco Talk. Chuck outlines the history of the IPSD and its purpose. It’s a must-read for pipe smokers to find a refreshing view of our hobby. And now it’s time for Pipe Smokers of the Past: Jack Kerouac was born: on March 12, 1922, in Lowell, Mass., and died on Oct. 21, 1969, in St. Petersburg, Fla. Kerouac was one of the leaders of the Beat movement in the 1950s along with Allen Ginsberg, Gary Snyder, Gregory Corso, and Lawrence Ferlinghetti, among others. His most famous work was “On the Road” published in 1957. That book spawned beat poets across the nation and produced broad cultural influence. Quite naturally, Pundit ran right out and bought a first edition, fancying himself something of a beat poet. And, sadly, that first copy has been lost, but replaced. Oh, the woes of youth! However, I did visit Kerouac’s home in Florida, just to soak up the muses of that long-gone era. The beat continues! Several online sites say the beat author smoked a pipe and even one site showed photos of his old pipe stands. However, I was unable to find certifiable pipe tobacco he smoked. All human beings are also dream beings. Dreaming ties all mankind together—Jack Kerouac Next up is Edgar Rice Burroughs. He was born Sept. 1, 1875, in Chicago, Ill., and died March 19, 1950, in Encino, Calif. He was the famed author of the Tarzan of the Jungle novels. And although I found evidence of his pipe smoking history, his tobacco preferences remain elusive. Love is a strange master, and human nature is still stranger—Edgar Rice Burroughs. A parting shot: I have been a pipe smoker for many years—from my college days through the middlemarch. However, I did cease for a good long span to take stock of things entering the senior geezerhood era. And then I returned with a passion. The embers of my pipe ardor have not waned, though I do smoke less now than in my younger days. Some time back, I decided smoking a pound a week was a little too much intensity. My pipes and tobacco still give me much pleasure. It continues to fulfill a relaxing afternoon or mornings with coffee. And there are those moments of contemplation on life and its many twists and the unexpected. And at times, recalling the roads not taken, to steal an apt phrase from one of America’s greatest poets, the pipe-smoking Robert Frost. I call it reflections in smoke.
Welcome to The Pipes Magazine Radio Show Episode 650. Our featured guests tonight are Jonni Adams and Grey Van Kuilenburg. Jonni makes the J. Adams line of pipes. He is originally from Leeds in West Yorkshire, England, and moved to the US in 1997. Grey makes the Van Kuilenburg line of pipes. He is a tattoo artist full time, and also hand carves custom electric guitars and basses for the last 30-years. Both Jonni and Grey have been making pipes for five years. They will be telling us about their trip to Denmark to work with Tom Eltang. At the top of the show Brian will answer a listener question about aging flake tobaccos.
Welcome to The Pipes Magazine Radio Show Episode 649. Our featured guest tonight is Jon David Cole. JD is the Owner/Tobacconist at The Country Squire in Jackson, MS, and the accompanying online store. We’ll have JD and Brian talking about sales trends for pipes and tobacco at the shop, and other news. This will be an extended conversation, so we will skip the usual Pipe Parts opening segment.
A few years ago, I remember it well, I received in the post an unexpected gift of the sort that inspires the instantaneous rendition of an awkward happy dance. I’m apparently not a very good dancer, at least if the reactions of my kid and dog hold true. Everybody’s a critic. Sometimes, I just can’t help myself. (It’s a good thing disco died before I gained any sort of notoriety for my exhibitions. When it comes to tripping the light fantastic, I’m more like Elaine from Seinfeld than Saturday Night Fever’s Tony Manero. No videos are forthcoming. Don’t even ask.) The plainly wrapped parcel was in the postbox, my own address cryptically hand-written as the return, and no postmark indicating the source of the package. Since I had no recollection of having sent anything to myself, it was a genuine surprise. After a little head scratching, I pulled open the wrapping and opened the box without ceremony, only to find another similarly wrapped one within, also lacking any clues as to the package’s origin. Curious. A mail bomb? Surely anyone with seriously nefarious intentions would be more thoughtful about not arousing undue suspicions. I poured a dram of my finest whisky, just in case it might be my last, took the smaller parcel to the farthest reaches of the weed patch loosely referred to as the “yard,” and, listening carefully for ticking, carefully sliced the sealing tape with my pocket knife. I carefully opened the flaps, and averted my eyes while pondering that digital detonation devices probably don’t tick… Too late to call in the EOD. Fortunately, no explosive device was detonated, no deadly gas released. Instead, inside was a plain white envelope emblazoned in pink ink with my name and adorned by a small heart. Cute. The envelope concealed a little card, with the hand-written words, “Your tobaccos turn me on.” It was signed simply “Scarlett J,” with another little heart. Ever since seeing Lost in Translation, I’ve had a thing for Scarlett Johansson, but I had no idea she was a pipe smoker. Bonus! Under the envelope, wrapped in bubble packing, was a fabric pipe sock of anonymous origin, quite plain, with a thin cord tied round the top. I took the package back inside, poured another Scotch, and sat down to explore the contents further. After removing the pipe from the sock, I immediately recognized it. I’d seen it not long before on a seller’s site. I’d even shared the link with a friend who shares my adoration for interesting old pieces, and who knows of my predilection for a particular actress, at least in one role. While there may be another one like this out there, it’s unlikely. It’s a beautiful old Comoy’s Virgin Briar made for the 1933 Chicago World’s Fair, a uniquely fluted apple with a tapered stem. These were all the clues I needed. Using my finely honed skills of detection, I now knew both where it had come from, and who had been responsible for it finding its way to me. I gave my presumed benefactor a call, and employed all the subtle interrogation techniques I’d learned from watching too many episodes of Criminal Minds in an attempt to draw a confession out of him. Eventually, he broke by asking the question, “How does it smoke?” Aha! Got you. But, at that point, I couldn’t answer him. I’d been too busy gawking at the thing to fill it with tobacco. So, while we were talking, I gave it a go. I’d just finished a bowl of some excellent vintage leaf in another really nice pipe. It was a great smoke, but nothing prepared me for what was to come. There was so much more depth and complexity here, with nuances clearly articulated that were almost completely missing in the prior bowl. The virginias delivered a caramel-like sweetness, the orientals swirled over my tongue like a genie set free from Aladdin’s lamp, and the latakia rendered softer, more polished. In a word, it was superb. Even after all these years, it’s still unfathomable to me that one pipe can deliver a really good smoke, while another can transcend. Beyond purity of taste, there’s some sort of fascinating interplay, an inexplicable synergy between certain tobaccos and briars that transforms the smoking experience into something more, something sublime. For all we know and understand about pipes, about pipe making, about briar and brands, it remains the unknown that continues to fascinate and delight. With this pipe, was there something special about the wood that made it great? Was there something about the way it was made that perhaps enhanced its strengths, while deleting any potential weaknesses? In many cases with very old pipes, I’m inclined to attribute a superior smoke to the way it had been treated during all the years I did not possess it, but this one had been so lightly smoked that the cutting lathe’s chuck marks were still visible in the bowl, so it wasn’t that. It’s even possible that the last time this nearly pristine pipe was smoked, maybe the only time, was shortly after it was sold. Eighty years is a long time to rest. Here’s the problem, the sleeping dogs part. After such a magical smoke comes the fear that the next bowl might not live up to the expectations set by the first. It’s unlikely, sure, but it’s happened enough times in the past that the thought crosses my mind. Or could it be that the excitement of receiving this precious gift had simply influenced me sufficiently to make me focus more on the subtleties causing the experience to seem better than it was? Would it be best just to have the memory of that great smoke intact in my noggin, rather than risk disappointment? It took me a long time to give it another go. Fortunately, it again delivered, and has every time I’ve smoked it since. Maybe there’s still a bit of bias at […]
Welcome to The Pipes Magazine Radio Show Episode 648. Our featured guest on tonight’s show is Ronnie Pecorini. Ronnie is the VP of the Chicagoland Pipe Collectors Club and the Director of the Chicago Pipe Show. He has been in the club for 17 years, and has attended 27 of the shows. Ronnie is also co-host of the Great Cigar & Pipe Show Podcast, which is coming up on seven years. He has been in FM sports radio for 20 years. You’ll hear about his background and what to expect at the upcoming Chicago pipe show. At the top of the show we will have an Ask the Tobacco Blender segment with Jeremy Reeves. Jeremy is the Head Blender at Cornell & Diehl, which is one of the most popular boutique pipe tobacco companies in the USA.
Survived KC I see.
Of course I like the hawkbill shape. I like the bent style, the ratio of the bowl to the shank & stem, and the comfort in both the hand and mouth. I also like a thick pipe, Catello G or GG size. That is my criteria, but then again, you knew that.
Edwin pipes, a bit too freehand and Danish for me. I do see it being Tolkienesque. Nice pipes though if that is your preference. I do like the tamper. I also like the cradled Dublin on the website. Nice shop.
Once again, nice selection with the Summer Movement.
I picked up Rick’s audio book -great listening even though I read the book.
Keep up the good work, Brian!
Hey Brian. Just wanted to let you know I found your podcast last week and I’m on my 11th episode. Great stuff! Keep up the great work!
Great show, one comment though. The Stitcher podcast has better sound quality than the iTunes version. I am subscribed to the podcast through both and have noticed since I am often listening with earbuds around loud machinery. Just thought you might want to know. Happy 4th to all!
PJ, Thanks for being a fan of The Pipes Magazine Radio Show. That’s an interesting comment. The only plausible explanation I can think of is that whichever device you are using works better with the Stitcher app than the iTunes app. What you are probably unaware of is that no matter which app you use, the podcast is being accessed from our server. The apps just provide the subscriber push service, but play our podcast from where it resides on our server. They do not host it themselves … if that makes sense.
Can’t believe I missed last week’s show. It was another winner!
Let’s discuss the Dublin contest first. Per the club’s instruction the contest was limited to the Dublin family which “includes the traditional English Dublin shape as well as the Zulu, Yachtsman, Cutty and Belge, plus free-form interpretations of those shapes.” We had thought this would give a lot leeway and encourage creativity on part of the carvers. As Brian said in his broadcast this year’s entries were the least inspiring. It seemed like all the carvers focused on free form Dublins and ignored the other possibilities. What nobody did was take one of these shapes and carve a classic version. I cam tell you our judges love the classics.
Having Brian (and all the other celebrity guests) at our meeting the night before the show was an absolute treat. Having our regular monthly meeting the night before the show starts is an absolutely brilliant way to start the show. In addition to Brian we had Kevin Godbee, Chuck Stanion, Mike & Mary McNiel, Greg Pease, Joe Skoda, Tad & Cyndi Gage, Sally Gottliebson, Gunnar Weber-Prada and Mark Berman.
Glad you enjoyed the DoubleTree but despite putting $30K into their coffers they sold our date for 2014 to some one-timer so he can have his daughter’s wedding reception there.