Alert! Alert! Pipe Sale!
Smokingpipes.com Updates
6 Fresh Castello Pipes |
4 Fresh Mike Sebastian Bay Pipes |
New Accessories |
9 Fresh Brebbia Pipes |
24 Fresh Ropp Pipes |
Recent Posts
Welcome to The Pipes Magazine Radio Show Episode 524! Our featured interview tonight is with Russ Hicks. Russ is a sketch artist and long-time pipe collector / smoker. Russ is a returning guest helping us kick off a new series of discussions regarding which current production pipe tobaccos he is aging. In Pipe Parts, Brian will discuss seasonal weather changes, and how they affect him, and his pipe smoking. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
Welcome to The Pipes Magazine Radio Show. Not only is it the 523rd episode, it is also the 10th anniversary of the show! We never thought we’d go this long. Our featured interview tonight is with Professor Kelly Jolley. Kelly is a Professor at Auburn University in the areas of religion and philosophy. These are certainly contemplative areas, so it is quite fitting that he smokes a pipe as well. He has four books that you can check out on Amazon. In Pipe Parts, Brian will have Part I of a review of a quite large pipe collection. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
Welcome to The Pipes Magazine Radio Show Episode 522! Our featured interview tonight is with pipe maker Jason Patrick. Jason is from the Chicago area, and he started making pipes in 2019. Some of his earliest memories are of his grandfather smoking a pipe. He started pipe smoking in his early 20’s, and soon decided that he wanted to make them. He started with standard shapes, and then branched out into Danish-style freehand designs. He likes to listen to our show while kayaking. In Pipe Parts, we will have an Ask the Tobacco Blender segment with Jeremy Reeves. Jeremy is the Head Blender at Cornell & Diehl, which is one of the most popular boutique pipe tobacco companies in the USA. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
It’s no secret that I love old pipes. Like a well broken-in pair of jeans, there’s something they bring with them that makes them sort of special. They carry an unspoken history with them; the places they’ve been, the tobaccos they’ve seen. Sometimes, this history is evidenced by the knocks and dings they show, or the aromas and tastes of tobaccos long since forgotten. Depending on how poorly it’s been treated, this can make an old pipe rather less than desirable, but a well cared for briar from eras past can be, or can become, a cherished favorite. Some collectors I’ve spoken with have insisted that old pipes are better than new ones. How often have we heard, “They just don’t make ‘em like they used to?” There may be some validity to this, but I’m not convinced this sort of universal statement is true, or even necessarily a positive one. Let’s look a little closer, first at pipes of olde, and see if we can make some informed speculations. At the zenith of the pipe’s history, at least with respect to popularity, pipes were made and sold by the millions. Manufacturers across all quality levels procured briar by the ton, not by the piece, and the best makers performed whatever magic they felt appropriate to ensure a good smoking result, always with an eye towards differentiating their pipes from those of their competitors. Some air dried their briar for long periods, others force-dried their briar more quickly in klins. The final processes of sorting, grading and finishing was sometimes a closely guarded secret amongst makers, with only the finest pieces finding their way down the line to being sold as top grade pipes. Additionally, various techniques were often employed after the pipe was machined, such as Dunhill’s famous “oil curing,” used as part of the finishing process for their legendary “Shell” sandblasts. Sasieni was said to “oven-cure” turned bowls, subjecting them to tortuous heat over a prolonged period; those that survived the ordeal were reputed to be very dry smokers. Of the more budget friendly brands, the Dr. Grabow “pre-smoked” pipe, employed what is likely the most dramatic “curing” method. Using a technique developed by Louis B. Linkman in 1933, finished pipes were filled with tobacco, smoked gently to the bottom by his Automated Smoking Machine, the process repeated several times. This was, if nothing else, a stroke of marketing genius. Inexpensive as they were, the briar used to make Dr. Grabows was arguably not especially consistent or well cured, which would result in at least some pipes tasting bad out of the gate. The smoking machine could mitigate the potential harshness of those early bowls without suffering the torment a human smoker would, allowing lesser quality briar to be made into acceptably good smoking pipes. One thing is certain. Of the millions of pipes made each of those golden years, some were certainly exquisite, many were likely dreadful, and the majority fell somewhere in between these extremes. Pipes then, especially those in lower price categories, were seen as tools, simple items to buy, use, and occasionally discard. It’s probable that the worst of them simply never survived to share their horror with us today. Even if a pipe was good and smoked heavily, it would eventually reach the end of its useful life, either through just being “smoked out,” or suffering a broken tenon or bitten through stem or other misfortune, and find itself cast aside. Only “special” pipes, the favorites, the best of the best, would be lavished with sufficient care to allow them to survive the decades in relatively good nick. So, when we find old pipes, at least those from the makers with good reputations, they are more likely to be accidentally curated specimens rather than overall representative examples. If we add to the equation the fact that old pipes, again, if well cared for, have already been thoroughly broken in, we are likely to find some true gems amongst the antiquities. So, are old pipes really “better?” What about today’s low volume pipe makers who operate in a rather different environment? Because today’s demand for briar is significantly lower, suppliers can be more careful in choosing and cutting burls. They’ll cut blocks to maximize their quality, or at least their grain consistency, rather than to achieve the burl’s greatest yield. Too, they can spend more time ensuring that the wood they sell is carefully boiled and dried sufficiently to deliver consistently good smoking. The pipe maker can then do whatever is in their bag of tricks to further increase the probability that the pipe they make is an exceptional one, lavishing great care on all the subtle details of its creation. Additionally, with today’s ease of information exchange, and perhaps somewhat less of a tendency towards competition, a lot of experimentation has been performed and shared, along with some pretty detailed analysis of what has worked in the past, and what may not have. The result is that more is probably known today than ever before about what makes a great pipe, and what doesn’t, which certainly benefits us as pipe smokers. In terms of artistry, witnessing the exploration some makers have taken in creating new shapes and forms can be a remarkable adventure in its own right. And, there are more choices to be found for interesting stem materials, including improved vulcanite that is less resistant to oxidation than much of what was available in the past, and custom-cast acrylic that presents the smoker with more choices of color and style than ever before. Though probably not universally true, even amongst “high volume” manufacturers, today’s lower demand can result in greater care in briar selection, with advances in technology arguably creating increased consistency in construction. There are many factory pipes at affordable prices that rival the best the past had to offer. I’ve got a lot of beautiful old pieces in my collection that are brilliant smokers, including the one I’m puffing […]
Welcome to The Pipes Magazine Radio Show Episode 521! On tonight’s show we have a new episode of an ongoing segment of what Brian likes to call “Inside Fred’s Head” with Fred Hanna. Fred is a well-known pipe collector, author, and speaker at pipe shows. He has a PhD. in psychology and teaches the same at the Chicago Campus at Adler University. He is also author of the book, “The Perfect Smoke”. This is the 11th in the series with a long form discussion of pipe and tobacco questions sent in by our listeners. In the opening “Pipe Parts” segment, Brian will get caught up on some of the longer answers from questions mailed in. Many of these are great tips for newbies, and a good refresher for the rest of us. Sit back, relax with your pipe, and enjoy The Pipes Magazine Radio Show!
Looking for that 4-leaf-clover The late summer weather has been a glorious oven to bask in, for those of us who enjoy the heat. It’s led me to spend quite a bit of time in concerted pursuit of quality lollygagging in the local park to enjoy my tobaccos, for one thing. Having focused so much on old tobaccos lately, it seemed like a good time to switch up the menu with a recent production tin of Davidoff Flake Medallions. An afternoon found me puffing idly in a field of grass, killing time without injuring eternity, pondering what makes this pursuit of flavors such an always-new endeavor. As any good chef knows, you eat with your eyes first. Presentation begins before we even get to the tobacco, whether we admit it to ourselves or not—the name, tin art, and reputation of a blend all begin to shape opinion well before the flame touches the leaf. Davidoff’s offerings, while not extensive, represent a solid range of tobaccos for the pipe smoker, in the vein of the erstwhile luxury brands Dunhill and Nat Sherman. Perhaps more well known for their cigar bands, their quality and consistency positions them as a well-regarded marque in pipes, pipe tobaccos, and cigarettes as well. That said, the presentation here begins with the tin, a regal label in crimson with gold filigree lettering—simple, straightforward, and très classy. Opening the tin releases a fresh bouquet of rich sweet dried plum, dry grassy summer hay, moist fig, and hints of sweet chocolate, with light leathery and woody undertones. After some time airing out to settle, the earthy and woody range of aromas dominate, though still with the hints of sweetness around the edges. The coins themselves are gorgeous and uniform, with the brindle of lemon-yellow to dark mahogany leaf surrounding the core of ebony Cavendish. So far, everything about the presentation speaks of care and craftsmanship in the process; whether it’s called curly cut, spun cut, roll cut, or rope, this particular style of tobacco is also one of the most expensive and time consuming to produce, and Flake Medallions certainly represents well here on all points. While there are a few other fairly well-known takes on the coin cut presentation, we’ll steer clear of direct comparisons here. My preferred preparation is to rub out a couple coins rather than folding and stuffing, though I will admit to occasionally enjoying placing the Cavendish centers strategically in the middle and top third of the bowl. From the light to the heel, the blend smokes cool, smooth, and steady, with few relights and not a hint of bite, even from this fresh tin. The balance of the tobaccos here is exquisite. The Virginia base is solid and well-tamed, Perique is restrained to a supporting role as a condimental spice, and the Cavendish balances the two, rounding it all out and adding depth and sweetness to the structure. This is definitely on the (mildly) spicy and savory end of the VaPer spectrum, with just a bit of tang at the top of the bowl which, upon reaching the heel, has transformed into a well-measured umami, with a great mouthfeel and excellent aftertaste. To confirm my initial impressions, I spent some time in the kitchen matching up the aromas to the flavors represented. The primary aromas and flavors of fig are spot on, and decidedly on the side of black Mission figs; the tempered sweetness here is more honey than the Mediterranean varieties (which tend more toward a floral or fruity bent), while still structured around a very earthy vegetal profile. Whichever preparation was used, bowl after bowl found a varying cadence that also drew out the familiar raisin / plum / date / prune notes, drying hay, toasted bread, brewer’s yeast, fresh cut oak, and turned earth in the secondary and tertiary aromas. The sidestream smoke, which was commented on from a passerby as being “rustic”, is generally mild and lightly touches all of the aromas well, making it a not unpleasant experience for the bystander. Also evidenced bowl after bowl was the satisfying flat-cola aftertaste it leaves, like a memory of sweetness. Overall the blend is superb, and I could kick myself for not having dozens of tins already socked away in the cellar.Again, there are more than a few representative entries in this style of blend, and for my money Davidoff Flake Medallions certainly deserves its own particular niche within the field. What strikes me most about the blend is the balance that it achieves, which sets the flavor slightly apart from any of its direct competitors. Mild on the nicotine, mild to medium on the side smoke, and remarkable consistency and refinement in the smoking itself. With a reasonable price point it’s worthy of the all-day smoke category, while the presentation makes for a classy choice when out on the town or for special occasions. It has certainly found a place in my cellaring list. Speaking of coin cut tobaccos, special occasions, and summertime…. I picked up my tin of Flake Medallions on the way to the most recent New York Pipe Club meeting. I’d been missing in action from the club for a few years; work became a bit all-consuming to the detriment of social activities for a while, followed by a couple years of relocation far afield. Enjoying this blend at the meeting got me thinking about what to bring to our upcoming annual picnic at the end of the month; it had to be something that was as refined, classy, and memorable. Unfortunately I didn’t have any well-aged tins of Flake Medallions to bring, so I went with the next-best thing: a cutter-top tin of Escudo from the 1950s. In the interest of full disclosure, I was a little disappointed at first. The tin had lost its integrity sometime in the last five years and as many moves, to my eternal regret. Fortunately it was at least kept with other tobaccos in sealed plastic bins, so […]
