You are correct about it being the user. And that's something else I've argued with other photographers over the years. I've seen some really beautiful shots made by people with 110 and 35mm instamatic cameras and really bad stuff shot by people using expensive 35mm film cameras who didn't know how to use them.A darkroom was truly a magician's cabinet. Watching an image appear on a sheet of paper always caused a thrill of excitement. I still have all that old gear in storage, the military surplus 4x5 enlarger, steel developing tanks and sinks, trays, all of it. Lord knows why. I crossed over to the dark side of the force 5 years ago when I went digital. I don't see any need to return.
The plasticity of a digital environment, including greater retention of details in the shadows, offers me a much wider range for play than analog/chemical ever did.
As for the film VS digital arguement, it's fun, but it's also pure bollocks. They're both perfectly fine. It's not the technology, it's the user, that determines the benefits, drawbacks, or limits of either. Most users go nowhere near the barriers of what image making tech, old or new, can do.
But there are still things I used to do on film that I haven't figured out how to do with digital and I've been using photoshop since Adobe first came out with it. On the other hand, doing color correction in photoshop is way easier than it was on a color head enlarger for me.