Here is Part III and the Conclusion of our interview with Michael Gladis, who plays the pipe smoking copywriter, Paul Kinsey, on AMC TV’s Mad Men. If you missed it […]
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We continue our interview with Mad Men’s Michael Gladis where we find out how he got started as an actor. We talked about his favorite scenes playing Paul Kinsey. There […]
Read moreMichael Gladis plays the pipe smoking copywriter, "Paul Kinsey" on AMC TV’s Mad Men. Not only does his character Paul smoke a pipe, but Mr. Gladis smokes a pipe in […]
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When I first started with the pipe as a quirky and precocious teen, the only tutelage I had at my disposal were scenes from old movies in which a well dressed chap would stick his pipe into a pouch, scoop tobacco into the bowl and press it down unceremoniously with his thumb. Then, with great flourish, he’d strike a match and light the thing with all manner of cinematic excess, puffing up vast clouds of smoke falling just short of completely obscuring his visage. While it may look good on film, it’s a terrible approach to actually enjoying the thing. Somehow, though, this “technique” seems to have survived in the contemporary vernacular, at least to some extent, even with bit-loads of information handily at our fingertips that should dissuade us from the practice. But, at the time, this misguided approach was all I had; it’s no wonder my early days of puffing were fraught with difficult lighting, harsh, bitter smokes and tongue bite, all culminating in a fireproof mass of ye old soggy dottle in the bottom of the bowl. Ultimately, the resulting frustration made me give up the pipe, at least for a while. While the idea of it was still very appealing, the practice of it was not. It wasn’t until a few years later when, still full of curiosity and romantic notions of pipe smoking, I wandered into a real tobacconist’s shop, and learned my “method” was a long way from the techniques that would bring me to any sort of pipe smoking bliss. So, after my poor start, and under the guidance of someone who actually seemed to know how to do it right, I was given the opportunity to approach the process anew, this time with much greater success. It was only because I was both perseverent, and fortunate to have a local shop staffed with knowledgeable people, that I’ve been able to enjoy the experience ever since. At least mostly… How many fledgeling pipe smokers have simply given up on an enjoyable pastime because of similar early mis-starts? Fortunately, today, it’s not hard to find helpful guidance at the press of a key or ten. But, at the same time, not all roads lead to Valhalla, and sometimes the advice offered might well be labeled with, “Here be dragons.” The other day, I came across a short video on-line in which a well-meaning tobacconist suggested packing a bowl of an “English” mixture “nice and tight.” Perhaps somewhat ironically, I was smoking, or trying to smoke a bowl that I’d filled on auto-pilot, packed too tightly, and not only was having the devil of a time trying to keep it lit, I really wasn’t enjoying the acrid smoke the tobacco issued during the brief periods in which it was actually burning. “No, no, NO!” I found myself muttering at my pipe, and at the figure on the screen, my protests joined by the guttural growling noises that sometimes accompany my discontent. Defiantly, I grabbed a pipe nail, shoveled out the dense, asbestos-like clog from the bowl, swabbed out the shank with a pipe cleaner, more out of habit than need since I hadn’t actually smoked enough of the mass to foul the shank, and started over, this time paying proper attention to what I was doing. (For as long as I’ve been doing this, I still screw it all up sometimes.) Much better. This got me thinking about a couple things that are so important to the maximal enjoyment of our pipes, yet not often enough discussed, namely how different tobaccos respond to variations in filling density, and moisture content; two separate but related parameters. Once I’d been shown the proper way to fill the bowl, or at least a proper way, everything had changed for me. I also began drying my tobacco down as a matter of course. Suddenly, there was greater cooperation between leaf and flame, the smoke was rich and flavorful, and it burned mostly to the bottom of the bowl with few relights. Given that, at the time, I smoked latakia mixtures almost exclusively, there didn’t seem to be a reason to explore beyond my “new” approach. It wasn’t until my attention turned in the direction of Virginia blends that I had to look a bit deeper. The same technique that worked so well for me with latakia mixtures resulted in bland, and often harsh smokes with Virginias. I attributed this to the tobaccos, convincing myself that I just didn’t like the stuff. At one of our pipe club meetings, I was talking with a friend who smoked Three Nuns exclusively. When he offered me a bowl. I thanked him, and told him that I just didn’t seem to get along well with Virginias, that they weren’t for me. “Maybe it’s the way you pack them. Here, let me fill your pipe for you.” I watched as he rubbed out a few coins to fine ribbons, moister than I was then accustomed to, and filled the bowl carefully in stages, pressing it tighter than I would have. Prepared for a nightmare, I was instead treated to a pipe dream. The tobacco smoldered slowly and almost continuously, delivering a rich, cool, sweet and delicious smoke. After that, I spent some time exploring the impact of these two variables, moisture content and packing density, on different mixtures and blends, always with similar results. Latakia mixtures, and to a lesser extent, those with a high percentage of oriental leaf, taste and smoke better when they’re on the dry side and the bowl is filled loosely, while Virginia blends tend to work best with a little more moisture and a denser fill. Burleys seem to work best somewhere in between, except for cube-cuts, which don’t like to be packed with much pressure at all. (Gravity fill, tap the bowl to settle the cubes. Repeat until full.) For such a simple act, pipe smoking is filled with undefined complexities! The point behind all this? Often […]
Welcome to The Pipes Magazine Radio Show Episode 604. Our featured interview tonight is with Jon David Cole. JD is the Owner/Tobacconist at The Country Squire in Jackson, MS, and he is the former co-host of the podcast, Country Squire Radio, which ended their 10-year run last year. We’ll have JD with the “From the Country Squire” segment talking about all the new things happening at the store and in the business in general. At the top of the show, we’ll continue our audio tour of Brian’s pipe collection.
Before we begin, I should tell you: this tobacco review is being written by an A.I. Not the fancy new GPTs or their ilk; no, this is last century’s meat-and-bone, all-organic model. To be fair, a large part of what we call knowledge is merely the accumulated perceptions and impressions gathered from a life wandered through, synthesized into a spongy mass of what-it-is-that-we-think-that-we-know. The algorithm for this prompt is simple enough: pump thousands of bowls of smoldering plant matter into a gaping maw, cross-reference the chemical sensations with all other matter previously ingested or inhaled, sieve it all through the diffuse and fractal twin lens of memory and emotion, and churn out a panoply of adjectives that attempts to convey the sensations to someone who hasn’t experienced it yet. Odds are that a diligently trained monkey could succeed half the time; if this reviewer nears fifty-one percent then that would qualify as an unrivaled success. There must have been some similar musings perambulating through the mind of Per Jensen when he began his mad scientist routine at Sutliff with the Pipe Force project, which brings us to the current mixture under the microscope—Sutliff’s Pipe Force: Episode I. Here again are the unusual ingredients that engendered the series, with the stoved Rustica being the defining voice in this composition. From the tin: The Latakia-forward English mixture offers plenty of smoky flavor from the fire-cured leaf, which is artfully harmonized with floral, earthy Stoved Rustica. A mixture of high-grade Virginias imparts a natural sweetness. Katerini, the sole Oriental component, offers herb and spice notes bringing complexity and nuance to the flavor profile. It’s certainly Latakia-forward, with the stoved Rustica doubling up on the rhythm section like a second bassist. A first whiff from the tin releases the aromas of shoe leather and hide glue in a base of clay soil with a campfire wafted over it like last night’s beach party. Once it’s been accustomed to oxygen again, subtle hints of sweetness poke through from the Virginias: lemon rind, light milk chocolate, the dregs of a peaty Scotch, and muddled cherry. Old regulars like fresh-sawn oak and tilled earth are there, of course, with distinct notes of truffle, creosote, damp peat, and pine bark mulch. As an aside, I’ve been re-potting my camellias and the similarity of aroma to the ericaceous soil mix is notable; the Katerini really brings the unique depth of its vegetal complexion when supported by the Rustica and afforded more voice in the mix. The smoky Cyprian Latakia, in turn, is backed by equal earthiness from the Rustica, which overall exhibits a profile similar to dark-fired Kentucky; it leans more toward the woody and vegetal end of that spectrum, echoing and amplifying those traits of the other constituents. The tobacco is presented pressed and cut into a couple of thick, hearty flakes in the tin, lightly moist and easily crumbled to prepare—I prefer mine with a bit of drying time. The out-of-this-world tin art for this episode in the series is Major O’Meara smoking a cavalier. In the absence of confirmation, I’m going to hazard a guess he’s of the Ithklur species. The first taste from the light is sweet, with hints of that milk chocolate dancing around the edges. The Virginia leads the smoke through the top of the bowl, and orchestrates it well. Thoroughly smoky with lemony, grassy highlights from the Virginia spectrum, it soon segues into the mid-bowl profile: heartier, smokier, with the flavor leaning to the mildly acrid and tangy tinge that is the campfire-esque signature of English blends. Caution advised, it can turn overly bitter if pushed—this is where one’s sipping technique is required to maintain the fullness of flavor through to the heel. I did tend toward a lot of relights, though it may have as much to do with technique as with the blend. Pacing is also important as the nicotine starts to manifest; though the Rustica’s contribution has been tempered well by the stoving, it can certainly upend an empty stomach. At the end of every bowl, the mouthfeel somehow gets better. The balance of sugars in the tobaccos would seem to be spot-on in this regard. I started out my tasting in cobs, then cut short an unpleasant bowl in a meer, and finally landed on my best instrument with the lovely Dunhill 4427 pictured, a quaint group 4 shell briar with a gentle curve and Cumberland stem supporting a perfectly executed acorn bowl. It surprised me here, as I’ve learned through the years that I generally have the best experience with English blends in large, wide bowls. With this blend it seems that to get the best out of the Katerini’s somewhat diaphanous influence the smaller bowl fared much better. Room note is very English, so the company you keep will either love it or hate it, and it doesn’t linger too much. I find it paired best with a strong coffee; Sumatran beans complement the flavors well, as do Ethiopian if a lighter brew is preferred. Overall impressions of the blend are that it’s a curiously interesting take on the English genre, almost a reductive reconstruction of the theme using the unique components. This blend, if nothing else, expanded my vocabulary of sense perceptions with the uniquely treated leaf. While the average human can distinguish approximately one trillion (1,000,000,000,000!) different aromas, multiplied by seven basic tastes, and wholly dependent on variables from body chemistry to atmospheric conditions, our overworked and underpaid simian brains can’t effectively catalog them all. Our pet adding machines are exceedingly good at this, however, and someday soon they’ll be the ultimate and unequivocal authority on what something tastes, smells, looks, or even feels like. Until that time, friends, revel in the moments that can be stolen to savor over a bowl of Pipe Force: Episode I.
Welcome to The Pipes Magazine Radio Show Episode 603. Our featured interview tonight is with Rick Newcombe. Rick is a well-known author of several pipe books, and he is currently working on his third book. He is a prominent collector of Danish pipes, and vintage tobaccos. He has traveled the world visiting pipe makers, and learning their different techniques. He is also the founder and chairman of Creators Syndicate, which currently represents more than 200 writers and artists. At the top of the show we’ll have a Pipe Smoking 101 segment discussing best pipe shapes and sizes that are best suited to certain types of tobacco.
You know the olde saw: April’s showers bring May flowers.” Just to let you know, Pundit is all in on May and the flowers. Not that Pundit is a knowledgeable horticulturist, but walking about the woods on a bright sunny May day with wildflowers blooming and blushing whilst puffing a particular pipe is what spring is all about. So, to properly prepare in April, Pundit begins cleaning up several pipes that will make the wildflower walks this year. And never mind that I receive strange looks and snubs as I lean over to view up close and personal a beautiful wildflower and snap a photo. Pipe firmly clenched, natch. For good reason, spring brings to mind a couple of notable characters. First is the poet Robert Frost and his poem Birches. One could do worse than be a swinger of birches, is the last line of this wonderful poem about young boys climbing birches and bending them down to nearly touching ground. This lovely poem by the four-time Pulitzer Prize winner brings back memories of a crew of ragtag barefoot country boys swinging tall, spindly pine trees to earthly experiences. Yes, and falling from said pines, as well. Now, Pundit is uncertain whether or even if Frost was a pipe smoker. The history of this is a bit confusing. The other great original is one Yogi Berra, the Hall of Fame catcher for the New York Yankees, who played 18 seasons with the Bronx Bombers. He was a 15-time All-Star, a three-time American League MVP Award winner, and a 10-time World Series champion as a player. It is fairly well documented in photos that the great Yogi smoked cigars from time to time. The Baseball Hall of Fame calls Yogi “a cultural icon whose fame transcended the baseball diamond. “Yogi-isms” such as it ain’t over till it’s over and a nickel ain’t worth a dime anymore have found their way into everyday vernacular for baseball fans. This neatly brings us to Pundit’s favorite Yogi quote this time of year: When you come to a fork in the road, take it. Let’s just call Yogi baseball’s Phrase Laureate. I take the forks along the trails, looking for the rarest of wildflowers. Getting lost in the woods away from the madding crowds keeps dirty looks and slights shielded as I walk, huff and puff. That’s precisely what a pipe-puffing Pundit does on his May wildflower walks. You never know where you are likely to wind up, but you will know when you get there. My best Yogism, doncha know. You can thank me later. And the best pipe that takes me along on these nature walks? Why a White Spot, a Northern Briar, an Ashton, or a Cavicchi. At times I also attempt my best Holmesian pipe look with a Peterson Calabash shape with its iconic flared rim. Or all of the above, and then others tossed into the camera bag for good measure. It’s a big camera bag! And now that we have had a nice walk in the woods, it’s time for some Pipe Smokers of the Past. Starting things off is not a personality so far back in the past, J. Robert Oppenheimer, was born April 22, 1904, in New York and died Feb. 18, 1967, in Princeton, N.J. The famed so-called “father of the atomic bomb,” the Oppenheimer movie just walked off with a plane load of Oscars in this year’s tinsel town extravaganza. The biopic won seven, including Best Picture, Best Director for Christopher Nolan, and Best Actor for Cillian Murphy. Oppenheimer, celebrated pipe smoker and theoretical physicist, was director of the Los Alamos Laboratory in the thick of the Manhattan Project in World War II. The atomic bomb was fully enabled by July 1945 and dropped on Japan in August. It was the first nuclear explosion in history, created by bombarding neutrons with plutonium and uranium which resulted in a nuclear fission explosion. Uh, Pundit doesn’t profess to know fission from fizzling. Allegedly, one of Oppenheimer’s most famous quotes, Now I am become death, the destroyer of worlds, was either around the time of the first bomb test in 1945 or shortly after. Another, softer quote from the great scientist, is Genius sees the answer before the question. And finally, author, Gunter Grass, winner of the 1999 Nobel Prize in literature, was born Oct. 16, 1927, in Danzig, now Gdansk, Poland, and died April 13, 2015, in Lubeck, Germany. Grass, also a poet, reportedly smoked Stanwell Extra Fine, an old Danish pipe tobacco popular in Germany, as well as W.O. Larsen Classic, Three Nuns, Mac Baren Navy Flake, and Dunhill Early Morning Pipe. I’m always astonished by a forest. It makes me realize that the fantasy of nature is much larger than my own fantasy. I still have things to learn—Gunter Grass. And a parting shot: Pipe smokers are the mind workers of the world!
Welcome to The Pipes Magazine Radio Show Episode 602. Our featured interview tonight is with Kevin the Hobbiton Piper. Kevin was originally on the show in August 2021. The Hobbiton Piper YouTube Channel has 9.24k subscribers and over 120 videos with pipe and tobacco reviews, box openings, food, drink, and more. Kevin’s interview was one of our early novice pipe smoker features, so we’ll check in and see how his pipe smoking and YouTube channel have progressed. At the top of the show, we’ll have an “Ask the Pipemaker” segment with pipe artisan Jeff Gracik.
