Do you mind if I ask what you do, as you said you were in the entertainment industry?
I've worn a lot of different hats over the years. I started out as a traditional matte painter, and have worked as a storyboard artist, visual FX supervisor, matte painting supervisor, art director, animation background designer and painter, animation art director, color stylist, production manager, and currently am working as the color supervisor on the upcoming Harley Quinn animated series.
My first major credit was as the Background Supervisor for the original TRON, for which I also designed about 20% of the Electronic World backgrounds, while directing the painting of all of the background paintings. I was a founding member of Warner Digital Studios, as well as its antecedent, WBIT (pronounced wabbit), which was Warner Brothers Imaging Technology, and supervised the first all digital, classically animated stereoscopic cartoon, as well as the restoration of the film,
Woodstock, for which I supervised the restoration of Jimi Hendrix' performance of Voo Doo. I'm credited with about 40 feature films. though it's actually closer to 60. I was often brought in to fix bad work, which largely goes uncredited. I've also worked on literally hundreds of commercials.
All this proves that I can't keep a job.
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